Ou suis je ?
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West Side Story
04 nov 2009
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Absolutely Classical, Volume 9
09 fév 2009
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Robert Schumann: Piano Quintet
15 sep 2008
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Brahms: Symphony No. 3 - Tchai
20 mar 2008
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Bellini: La Sonnambula
01 nov 2007
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Beethoven: The Amnesty Interna
10 sep 2007
Leonard Bernstein
- 1 - As From The Power Of Sacred Lays ...9soprano Solo And Chorus)
- 2 - But Bright Cecilia ...(accompanied Recitative: Soprano)
- 3 - But Oh What Art Can Teach ...(air: Soprano With Organ Obbligato)
- 4 - From Harmony
- 5 - From Harmony, From Heav'nly Harmony, ...
- 6 - Orpheus Could Lead The Savage Race ...(air: Soprano)
- 7 - Sharp Violins Proclaim Their Jealous Pangs ...(air: Tenor)
- 8 - The Soft Complaining Flute
- 9 - The Trumpet's Loud Clangour ...(tenor Solo And Chorus)
- 10 - What Passion Cannot Music Raise ...(air: Soprano)
- 11 - When Nature
- 12 - 'Manfred' Symphony, Op. 58: Vivace con spirito
- 13 - 1. Allegro moderato - Cadenza: Ludwig van Beethoven
- 14 - 1. Das Trinklied Von Jammer Der Erde - Allegro Pesante
- 15 - 1. Roméo Seul: Tristesse; Bruits De Concerts Et De Bal; Grand Fête Chez Capulet: Andante Malinconico E Sostenuto -
- 16 - 1.Robert Schumann has been dead... (3rd movement, opening theme)
- 17 - 12 Etudes Op. 8: No. 11 in B flat minor (transcribed Piatigorsky)
- 18 - 12 Russian Folksongs Op. 104: No. 7, The Dream
- 19 - 12 Variations on Mozart's 'Ein Mädchen oder Weibchen' from 'Die Zauberflöte' Op. 66
- 20 - 2. Der Einsame Im Herbst - Etwas Schleichend. Ermudet
- 21 - 2. Gloria In Excelsis
- 22 - 2. Hymn And Psalm:a Simple Song
- 23 - 2. Prayer For The Congregation (chorale:almighty Father)
- 24 - 2. Scene D'amour/love Scene: Allegretto - Adagio -
- 25 - 2. Thrice-Triple Canon: Dominus Vobiscum
- 26 - 2. Trope:i Don't Know
- 27 - 2. Trope:i Go On
- 28 - 2. Trope:non Credo
- 29 - 3 Preludes for Piano Solo: 2. Andante con moto e poco rubato
- 30 - 3 Songs Op. 7: I. Après un rêve (transcribed Casals)
- 31 - 3. Epiphany
- 32 - 3. La Reine Mab Ou La Fée Des Songes/queen Mab Or The Fairy Of Dreams: Scherzo: Prestissimo - Allegretto - Prestissimo, Tempo I Un Poco Piu Presto
- 33 - 3. Responsory: Alleluia
- 34 - 3. Rondo - Cadenza: Ludwig van Beethoven
- 35 - 3. Trope:easy
- 36 - 3. Trope:half Of The People
- 37 - 3. Trope:hurry
- 38 - 3. Von Der Jugend - Behaglich Heiter
- 39 - 3.Now let´s look at the symphony itself (1st movement)
- 40 - 4 Songs Op. 42: No. 3, The clouds begin to scatter (Pushkin)
- 41 - 4. Trope:thank You
- 42 - 4. Trope:world Without End
- 43 - 4. Von Der Schonheit - Comodo. Dolcissimo
- 44 - 4.And so we have arrived at the Allegro section... (1st movt. cont.)
- 45 - 5 Pieces Op. 25: Scherzo
- 46 - 5 Satires Op. 109: Taste of Spring
- 47 - 5. Der Trunkene Im Fruhling - Allegro
- 48 - 5. Trope:i Believe In God
- 49 - 5.In the marvellous Scherzo that follows... (2nd movt)
- 50 - 6 Songs Op. 6: No. 5, Why(Heine trans. Mey)
- 51 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.3 in C major, BWV1009: Allemande
- 52 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.3 in C major, BWV1009: Bourrée I
- 53 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.3 in C major, BWV1009: Bourrée II
- 54 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.3 in C major, BWV1009: Courante
- 55 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.3 in C major, BWV1009: Gigue
- 56 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.3 in C major, BWV1009: Prélude
- 57 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.3 in C major, BWV1009: Sarbande
- 58 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.5 in C minor, BWV1011: Sarabande
- 59 - 6 Suites (Sonatas) for Cello BWV1007-12, Suite No.6 in D major, BWV1012: Prélude
- 60 - 6. Der Abschied - Schwer
- 61 - 6.But perhaps the greatest beauty... (3rd movt.)
- 62 - 7.Even in the final movement (4th movt.)
- 63 - 8 Divertimentos for Orchestra: 1. Sennets and Tuckets (Allegro non troppo, ma con brio)
- 64 - 8 Divertimentos for Orchestra: 2. Waltz (Allegretto, con grazia)
- 65 - 8 Divertimentos for Orchestra: 3. Mazurka (Mesto (Molto moderato))
- 66 - 8 Divertimentos for Orchestra: 4. Samba (Allegro giusto)
- 67 - 8 Divertimentos for Orchestra: 5. Turkey Trot (Allegretto, ben misurato)
- 68 - 8 Divertimentos for Orchestra: 6. Sphinxes (Adagio lugubre)
- 69 - 8 Divertimentos for Orchestra: 7. Blues (Slow blues tempo)
- 70 - 8 Divertimentos for Orchestra: 8. March:The BSO Forever (Andante (In memoriam)) - Doppio movimento (Alla marcia)
- 71 - A Boy Like That
- 72 - A Faust Symphony, S.108: 1. Faust
- 73 - A Faust Symphony, S.108: 2. Gretchen
- 74 - A Faust Symphony, S.108: 3. Mephistopheles and Final Chorus
- 75 - A Little Bit In Love
- 76 - A Little Bit In Love (Eileen)
- 77 - A Little Bit In Love (from Wonderful Town)
- 78 - A Musical Toast: Allegro con brio
- 79 - A Quiet Girl
- 80 - A Quiet Girl (from Wonderful Town)
- 81 - A Quiet Girl (Robert, Vocal Group)
- 82 - A Set of Three Short Pieces for String Orchestra: Largo cantabileHymn
- 83 - A Tempo
- 84 - A Tempo (etwas Bewegter)
- 85 - A Tempo (fließend)
- 86 - A Tempo (sempre L'istesso)
- 87 - A. The Dirge: Largo
- 88 - A. The Prologue: Lento Moderato
- 89 - Academic Festival Overture, Op. 80
- 90 - accende Lumen Sensibus
- 91 - Act II - "Divum Jocastae caput motuum!" from Oedipus Rex
- 92 - Adagietto From Symphony No. 5 In C-Sharp Minor
- 93 - Adagietto. Adagio from L'Arlésienne, Suite No. 1
- 94 - Adagio (tempo Der Einleitung)
- 95 - Adagio con variazioni
- 96 - Adagio for Strings
- 97 - Adagio for Strings from the String Quartet, Op. 11
- 98 - Adagio For Strings, Op. 11
- 99 - Adagio for Strings, Op.11
- 100 - AdagioAllegro Molto AgitatoAlla Breve (poco Più Mosso)Presto Come Prima
- 101 - Ain't Got No Tears Left (cut From On The Town)
- 102 - Alborada Del Gracioso: Assez Vif - Plus Lent - Au Mouvement
- 103 - Allegro -
- 104 - Allegro - Andante Con Moto - Allegro
- 105 - Allegro - Larghetto Espressivo -
- 106 - Allegro Agitato - Adagio
- 107 - Allegro Assai Agitato -non... Non, De Vos Demeures
- 108 - Allegro Assai Agitato -non...non, De Vos Demeures -
- 109 - Allegro Molto Con Brio From Overture To Candide
- 110 - Allegro Non Troppo - Moderato - Recitativo Misurato:dieux Du Nil
- 111 - Allegro Non Troppo - Recitativo Misurato:dieux Du Nil
- 112 - Allegro Non Troppo, Molto MarcatoPoco Più SostenutoMoving ForwardMeno Mosso
- 113 - Allegro Risoluto, Ma Non Troppo
- 114 - Allegro Vivace Con Impeto
- 115 - Allegro Vivace Con Impeto -
- 116 - America
- 117 - American Festival Overture: American Festival Overture
- 118 - An American In Paris
- 119 - Anchors Aweigh
- 120 - and Suddenly A New Voice Sings From Beyond The Magic Door & Celestial Voice:qui Pleure Mon Enfant Si Doux
- 121 - Andante
- 122 - Andante cantabile from String Quartet No. 1 in D Major, Op. 11
- 123 - Andante Come Prima
- 124 - Andante LargamenteMore FlowingStill More FlowingPoco Meno MossoLento
- 125 - Andante Presto Barbaro
- 126 - Anmutig Bewegt
- 127 - Annen Polka, Op. 117
- 128 - Appalachian Spring: (Ballet for Martha)
- 129 - Artist's Life Walzer, Op. 316
- 130 - Atmosphères
- 131 - B) The Masque
- 132 - B) The Seven Ages (variations I-Vii)
- 133 - B. The Masque: Extremely Fast
- 134 - B. The Seven Ages: Variations 1 - 7
- 135 - Bachianas brasileiras No. 1: II. Prel·dio (Modinha)
- 136 - Balcony Scene (tonight) (from West Side Story)
- 137 - Ballet At The Village Vortex
- 138 - Ballet At The Village Vortex (from Wonderful Town)
- 139 - Ballet Sequence (from West Side Story)
- 140 - Barcarolle from Gaîté Parisienne
- 141 - Battle Hymn Of The Republic
- 142 - Batuque (Finale from "Reisado do pastoreio")
- 143 - Batuque (finale Fromreisado Do Pastoreio)
- 144 - Boléro: Tempo Di Boléro Moderato Assai
- 145 - C) The Epilogue
- 146 - C) The Seven Stages (variations Viii-Xiv)
- 147 - C. The Epilogue: Adagio; Andante; Con Moto
- 148 - C. The Seven Stages: Variations 8- 14
- 149 - Cab And Bedroom (from On The Waterfront)
- 150 - caesar, I Refuse Your Lyre... & The Women Of Byblos:ah, Tu Pleures Le Bien-Aimé
- 151 - Candide Overture - The Age Of Anxiety: Symphony No.2 For Piano And Orchestra
- 152 - Canzona (arr. composer from clarinet & strings original)
- 153 - Capriccio espagnol Op. 34: I. Alborada (Vivo e strepitoso) -
- 154 - Capriccio Italien, Op. 45
- 155 - Cello Concerto (Tout un monde lointain): II. Regard (Extrêmement calme)
- 156 - Cello Concerto in A minor, Op.129: 1. Nicht zu schnell
- 157 - Cello Concerto in A minor, Op.129: 2. Langsam
- 158 - Cello Concerto in A minor, Op.129: 3. Sehr lebhaft
- 159 - Cello Concerto in B minor B191 (Op. 104): I. Allegro
- 160 - Cello Concerto in B minor B191 (Op. 104): II. Adagio ma non troppo
- 161 - Cello Concerto in B minor B191 (Op. 104): III. Finale (Allegro moderato)
- 162 - Cello Concerto No. 1 in A minor Op. 33: III. Allegro non troppo
- 163 - Cello Concerto No. 1 in E flat Op. 107: Allegretto
- 164 - Cello Sonata in F major, Op.6: Ist Movement: Allegro con brio
- 165 - Cello Sonata Op.40: III. Largo & IV. Allegro
- 166 - Central Park In The Dark (no. 2 Fromtwo Contemplations). Molto Adagio
- 167 - Central Park in the Dark: Central Park in the Dark
- 168 - Cha-Cha (maria). Andantino Con Grazia
- 169 - Chichester Psalms (1965): 1. Psalm 108,2 / Psalm 100
- 170 - Chichester Psalms (1965): 2. Psalm 23 / Psalm 2,1-4
- 171 - Chichester Psalms (1965): 3. Psalm 131 / Psalm 133,1
- 172 - Children's Prayer from Hänsel und Gretel
- 173 - Chorus Of Martyrs:gloire
- 174 - Christopher Street
- 175 - Christopher Street (Tour Guide, Villagers)
- 176 - Cinderella Op. 87: Waltz-Coda (transcribed Rostropovich)
- 177 - Colonel Bogey
- 178 - Come Up To My Place (from On The Town)
- 179 - Come Up to My Place,Taxi Song
- 180 - Competition Scene Three Dance Variations
- 181 - Concertino for Cello and Orchestra Op. 132: Andante
- 182 - Concerto da cÓmera: III. Finale
- 183 - Concerto for Cello and Orchestra H72: III. Allegro marcato
- 184 - Concerto for Cello and Orchestra in A minor, Op. 129 (1977 Digital Remaster): III. Sehr lebhaft - (Cadenza) - Im Tempo - Schneller
- 185 - Concerto for Cello and Orchestra in C minor Op. 66: I - Lento, ma non troppo - Andante - TempoI
- 186 - Concerto for Cello and Orchestra No. 1 in C Major, Ho. VIIb/1 (Cadenzas: Benjamin Britten): I. Moderato - Cadenza
- 187 - Concerto for Cello and Orchestra No. 1 in C Major, Ho. VIIb/1 (Cadenzas: Benjamin Britten): II. Adagio - Cadenza
- 188 - Concerto for Cello and Orchestra No. 1 in C Major, Ho. VIIb/1 (Cadenzas: Benjamin Britten): III. Allegro molto
- 189 - Concerto for Cello and Orchestra No. 2 in D Major, Hob. VIIb:2 (Cadenzas: Mstislav Rostropovich): I. Allegro moderato - Cadenza
- 190 - Concerto for Cello and Orchestra No. 2 in D Major, Hob. VIIb:2 (Cadenzas: Mstislav Rostropovich): II. Adagio
- 191 - Concerto for Cello and Orchestra No. 2 in D Major, Hob. VIIb:2 (Cadenzas: Mstislav Rostropovich): III. Rondo - Cadenza
- 192 - Concerto for Cello and Orchestra: I. Andante
- 193 - Concerto for Cello and Orchestra: II. Allegretto
- 194 - Concerto For Clarinet: Rather Fast
- 195 - Concerto For Clarinet: Slowly And Expressively
- 196 - Concerto for OrchestraJubilee Games: 1. Free-Style Events: Allegro con brio, giocoso
- 197 - Concerto for OrchestraJubilee Games: 2. Mixed Doubles: Theme and Seven Variations
- 198 - Concerto for OrchestraJubilee Games: 3. Diaspora Dances: Vivace
- 199 - Concerto for OrchestraJubilee Games: 4. Benediction: Moderato, invocando
- 200 - Concerto for Three: I. Moderato - Allegretto
- 201 - Concerto for Viola and Orchestra (revised 1961): II. Vivo, con molto preciso
- 202 - Concerto for Violin and Cello in A minor, Op.102: 1. Allegro
- 203 - Concerto for Violin and Cello in A minor, Op.102: 2. Andante
- 204 - Concerto for Violin and Cello in A minor, Op.102: 3. Vivace non troppo - Poco meno allegro - Tempo I
- 205 - Concerto for Violin and Orchestra in D: IV. Capriccio
- 206 - Concerto In D Major for Violin and Orchestra, Op. 61/I. Allegro ma non troppo
- 207 - Concerto In D Major for Violin and Orchestra, Op. 61/II. Larghetto; III. Rondo (Allegro)
- 208 - Confutatis Maledictis
- 209 - Conga
- 210 - Conga(Ruth, The Cadets)
- 211 - Connotations For Orchestra (1961-62): Intenso - Drammatico: Connotations For Orchestra (1961-62): Intenso - Drammatico
- 212 - Conquering New York
- 213 - Conversation Piece
- 214 - Conversation Piece (Ruth, Eileen, Frank, Robert, Chick)
- 215 - Cool
- 216 - cool Fugue. Allegretto
- 217 - Coronation March From Le Prophète
- 218 - Corral Nocturne from Rodeo
- 219 - Crescendo E Diminuendo
- 220 - Cum Mortuis In Lingua Mortua. Andante Non Troppo, Con Lamento
- 221 - Dança Brasileira
- 222 - Dance Of The Earth
- 223 - Dance of the Elves Op. 39
- 224 - Danse Générale
- 225 - Danzón Cubano
- 226 - Danzon Variation (from Fancy Free)
- 227 - Das Irdische Leben From Des Knaben Wunderhorn
- 228 - Decoration Day
- 229 - Die Harmonie der Welt: Musica Humana
- 230 - Die Harmonie der Welt: Musica Instrumentalis
- 231 - Die Harmonie der Welt: Musica Mundana
- 232 - Die Hebriden Overture , Op. 26
- 233 - Distant Melody
- 234 - Divert For Orch: I. Sennets And Tuckets
- 235 - Divert For Orch: Ii. Waltz
- 236 - Divert For Orch: Iii. Mazurka
- 237 - Divert For Orch: Iv. Samba
- 238 - Divert For Orch: V. Turkey Trot
- 239 - Divert For Orch: Vi. Sphinxes
- 240 - Divert For Orch: Vii. Blues
- 241 - Divert For Orch: Viii In Memoriam/march : 'the Bso Forever'.
- 242 - Dona nobis pacem. Allegro con spirito - Più presto from Missa in tempore belli in C Major, Hob.XXII: 9
- 243 - Double Concerto for Violin & Cello in A minor, Op. 102: Third movement: Vivace non troppo
- 244 - Dybbuk (1974) Suite No.1: 1. Invocation and Trance
- 245 - Dybbuk (1974) Suite No.1: 2. The Pledge
- 246 - Dybbuk (1974) Suite No.1: 3. Kabbalah
- 247 - Dybbuk (1974) Suite No.1: 4. Possession
- 248 - Dybbuk (1974) Suite No.1: 5. Pas de deux
- 249 - Dybbuk (1974) Suite No.1: 6. Exorcism
- 250 - Dybbuk (1974) Suite No.2: 1. The Messengers
- 251 - Dybbuk (1974) Suite No.2: 2. Leah
- 252 - Dybbuk (1974) Suite No.2: 3. 5 Kabbalah Variations
- 253 - Dybbuk (1974) Suite No.2: 4. Dream
- 254 - Ecstatic Dance Of Sebastian On The Live Coals;oh Twin Brothers, Sing Your Hymn... & Twin Brothers:hymnes, Toute L'ombre S'efface.
- 255 - Egmont Overture, Op. 84
- 256 - Eighteenth Variation from Rhapsody On A Theme Of Paganini, Op. 43
- 257 - El amor brujo: Ritual Fire Dance (transcribed Piatigorsky)
- 258 - El Salón México
- 259 - Élégie from Serenade in C Major for String Orchestra, Op. 48
- 260 - Elégie Op. 24
- 261 - Elegy
- 262 - Energisch Bewegt
- 263 - Enter Three Sailors
- 264 - Enter Two Girls
- 265 - Entr'acte
- 266 - Etwas Bewegter
- 267 - Etwas Zurückhaltend - Sehr Gemächlich
- 268 - Facsimile - Choreographic Essay for Orchestra: Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Allegretto - Subito Allegro - Andante - Adagio
- 269 - Facsimile: Choreographic Essay For Orch
- 270 - Fancy Free: 1. Enter Three Sailors
- 271 - Fancy Free: 2. Scene at the Bar
- 272 - Fancy Free: 3. Enter Two Girls
- 273 - Fancy Free: 4. Pas de Deux
- 274 - Fancy Free: 5. Competition Scene
- 275 - Fancy Free: 6. Variation 1 (Galop)
- 276 - Fancy Free: 7. Variation 2 (Waltz)
- 277 - Fancy Free: 8. Variation 3 (Danzon)
- 278 - Fancy Free: 9. Finale
- 279 - Fancy Free:Big Stuff Blues
- 280 - Fanfare For The Common Man (excerpted from the 4th movement of Symphony No. 3)
- 281 - Fantasia on a Theme by Thomas Tallis for Double String Orchestra
- 282 - Fantasia On Greensleeves
- 283 - Fantasia on Greensleeves from Sir John in Love
- 284 - Feierlich Und Gemessen, Ohne Zu Schleppen
- 285 - Fest March From Tanhäuser
- 286 - Fidelio op.72: Overture
- 287 - Fidelio Overture, Op. 72b
- 288 - Fifth Window: Paradise -a Pearly Radiance Spreads In The Sky...the Fifth Window, Paradise
- 289 - Figure 197
- 290 - Final Chorus/schlusschor:alles Vergangliche
- 291 - Finale
- 292 - Finale from Suite from "The Firebird" (1919 version)
- 293 - Finale from The Firebird Suite
- 294 - Finale. Adagio
- 295 - First Movement (Adagio sostenuto) from Sonata No. 14 for Piano in C-sharp minor, Op. 27, No. 2, "Moonlight"
- 296 - First Window: The Court Of Lilies -first Window, The Court Of Lilies & Twin Brothers:frère, Que Sera-T-Il Le Monde
- 297 - Fourth Window: The Wounded Laurel -but Gentle People...fourth Window, The Wounded Laurel
- 298 - from The Depths, Archers, I Call Upon Your Love & Chorus Of Syrians And The Women Of Byblos:hélasAhPleurez, ô Femmes De Syrie
- 299 - Fugue For The Saxes
- 300 - Fugue: Allegro Molto (full Orchestra)
- 301 - Für Elise (Bagatelle in A minor, WoO 59)
- 302 - Games Of The Rival Tribes
- 303 - Ganz Plötzlich Gemächlich. Tempo Di Menuetto
- 304 - Gee, Officer Krupke
- 305 - Gee, Officer Krupke!
- 306 - Gemessen Nicht Schnell Tempo Ii (allegro Moderato Ma Energico)
- 307 - Glenn Gould Speech (excerpt From Radio Broadcast Interview With James Fassett)
- 308 - gloria Patri Domino
- 309 - Glorification Of The Chosen Victim
- 310 - gloryGlory To Christ The King & Archers Of Emesa:sébastienSébastienSébastien
- 311 - Good News: French Lesson
- 312 - Gopak (translated Mey)
- 313 - Grand Duet: Quaver = 276
- 314 - Grand March From Aida
- 315 - Halil, Nocturne for Solo Flute, String Orchestra and Percussion: Halil, Nocturne for Solo Flute, String Orchestra and Percussion
- 316 - Hands Across The Sea
- 317 - he Dies, The Archer Of Lebanon. & Chorus Of Syrians:il Est Mort, Le Bel Adonis
- 318 - Hook s Waltz
- 319 - How a Great Symphony Was Written - Leonard Bernstein Talks About Beethoven's First Movement Of The Fifth Symphony
- 320 - Hunting Polka (auf Der Jagd, Polka Schnell), Op. 373
- 321 - I
- 322 - I - Aria (Cantilena) from Bachiana Brasileira No. 5 for Soprano and Eight Cellos
- 323 - i Feel In The Palm Of My Hand The Stigmata Burn...
- 324 - I Feel Pretty
- 325 - I Get Carried Away
- 326 - I Have A Love
- 327 - I Said Good Mornin (Cut from It s Always Fair Weather)
- 328 - I. Adagio Molto; Allegro Con Brio
- 329 - I. Allegretto
- 330 - I. Allegro Con Brio
- 331 - I. Allegro Molto Appassionato
- 332 - I. Allegro Non Troppo
- 333 - I. Allegro Vivace
- 334 - I. Andante Sostenuto; Moderato
- 335 - I. Antienne De La Conversation Intérieure: Dieu Présent En Nous
- 336 - I. Lebhaft
- 337 - I. Moderato
- 338 - I. Ziemlich Langsam; Lebhaft
- 339 - I. (introduzione). Andante Non Troppo
- 340 - I. Adagio - Allegro
- 341 - I. Adagio - Allegro Con Spirito - Tempo I
- 342 - I. Adagio - Allegro Molto
- 343 - I. Adagio - Allegro Spiritoso
- 344 - I. Adagio - Presto
- 345 - I. Adagio - Vivace
- 346 - I. Adagio Molto - Allegro Con Brio
- 347 - I. Alborada. Vivo E Strepitoso
- 348 - I. Allegretto
- 349 - I. Allegretto - Allegro Non Troppo
- 350 - I. Allegro
- 351 - I. Allegro Agitato
- 352 - I. Allegro Con Brio
- 353 - I. Allegro con brio from Symphony No. 3 in E-flat Major, Op. 55 "Eroica"
- 354 - I. Allegro con brio from Symphony No. 5 in C minor, Op. 67
- 355 - I. Allegro Energico, Ma Non Troppo
- 356 - I. Allegro from Keyboard Concerto No. 1 in D minor, BWV 1052
- 357 - I. Allegro Ma Non Tanto
- 358 - I. Allegro Ma Non Troppo, Un Poco Maestoso
- 359 - I. Allegro Maestoso
- 360 - I. Allegro Moderato
- 361 - I. Allegro Moderato - Allegro Vivace - Allegretto - Allegro - Moderato
- 362 - I. Allegro Molto
- 363 - I. Allegro Non Molto
- 364 - I. Allegro Non Molto - Allegro
- 365 - I. Allegro Non Molto.
- 366 - I. Allegro Non Troppo E Molto Maestoso
- 367 - I. Allegro Spiritoso
- 368 - I. Allegro Vivace
- 369 - I. Allegro Vivace E Con Brio
- 370 - I. Andante Moderato
- 371 - I. Andante Tranquilo
- 372 - I. Andante; Allegro Ma Non Troppo
- 373 - I. Aria (cantilena). Adagio
- 374 - I. Aria (Cantilena). Adagio from Bachiana Brasileira No. 5 for Soprano with cello orchestra and solo cello
- 375 - I. Circenses
- 376 - I. De L' Aube ` Midi Sur La Mer. Trhs Lent
- 377 - I. De Profundis. Adagio (bass)
- 378 - I. Devotions Before Mass: 1. Antiphon: Kyrie Eleison
- 379 - I. Enter Three Sailors
- 380 - I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo
- 381 - I. Faust
- 382 - I. Galop
- 383 - I. Gnomus. Vivo
- 384 - I. Harold In The Mountains
- 385 - I. I Pini Di Villa Borghese
- 386 - I. Introduction - Siesta In The Market Place
- 387 - I. Introduction Et Marche Royale Du Lion
- 388 - I. Invocation. Kaddish 1
- 389 - I. Largo
- 390 - I. Largo - Allegro
- 391 - I. Largo - Vivace
- 392 - I. Maestoso
- 393 - I. Moderato
- 394 - I. Molto ModeratoWith Simple Expression
- 395 - I. Nocturne. Adagio
- 396 - I. Nuages. Modiri - Un Peu Animi
- 397 - I. Nuages. Modiri - Un peu animi from Nocturnes
- 398 - I. Phaedrus: Pausanias (lento - Allegro Marcato)
- 399 - I. Phaedrus: Pausanias (lento - Allegro)
- 400 - I. Plum Pudding
- 401 - I. Poco Sostenuto - Vivace
- 402 - I. Prélude à La Nuit
- 403 - I. Prelude: Andante 6/8
- 404 - I. Prophecy
- 405 - I. Psalm 108 (verse 2) & Psalm 100 (complete)
- 406 - I. Requiem & Kyrie
- 407 - I. Sunrise
- 408 - I. The Great Lover
- 409 - I. The Sea And Sinbad's Ship. Largo E Maestoso
- 410 - I. Theory Of Flight
- 411 - I. Trepak
- 412 - I. Un Poco Sostenuto - Allegro
- 413 - I. Vivace
- 414 - I. Vivace Assai
- 415 - I.old Folks Gatherin'. Andante Maestoso
- 416 - Ich Atmet Einen Linden Duft
- 417 - Ich Bin Der Welt Abhanden Gekommen
- 418 - Ii
- 419 - Ii. Adagio Non Troppo
- 420 - Ii. Adagio Sostenuto
- 421 - Ii. Andante
- 422 - Ii. Andante Con Moto
- 423 - Ii. Andante Moderato
- 424 - Ii. Andantino In Modo Di Canzona
- 425 - Ii. Larghetto
- 426 - Ii. Romanze: Ziemlich Langsam
- 427 - Ii. Scherzo: Sehr Mässig
- 428 - Ii. Séquence Du Verbe, Cantique Divin: Dieu Présent En Lui-Meme
- 429 - Ii. Tempo Andante Ma Rubato
- 430 - Ii. (giuoco Delle Coppie). Allegretto Scherzando
- 431 - Ii. Adagio
- 432 - II. Adagio - Animato from "Faust" Ballet Music
- 433 - Ii. Adagio Ma Non Troppo
- 434 - Ii. Adagio Molto
- 435 - II. Adagio sostenuto from Concerto for Piano and Orchestra No. 2 in C minor, Op. 18
- 436 - Ii. Adagio Un Poco Moto
- 437 - II. Adagio un poco moto from Concerto for Piano and Orchestra No. 5 in E-flat Major, Op. 73 "Emperor"
- 438 - Ii. Allegretto
- 439 - Ii. Allegretto Scherzando
- 440 - Ii. Allegretto Vivace
- 441 - Ii. Allegro
- 442 - Ii. Allegro Molto
- 443 - Ii. Andante
- 444 - Ii. Andante Cantabile
- 445 - Ii. Andante Cantabile Con Moto
- 446 - Ii. Andante Con Moto
- 447 - Ii. Andante Moderato
- 448 - Ii. Andante Molto
- 449 - Ii. Andante Più Tosto Allegretto
- 450 - Ii. Andante Sostenuto
- 451 - Ii. Andantino Semplice
- 452 - Ii. Aristophanes
- 453 - Ii. Ballad Of History And Mythology
- 454 - Ii. Capriccio. Largo
- 455 - Ii. Dansa (martelo). Allegretto
- 456 - Ii. Dies Irae: Dies Irae, Dies Illa
- 457 - Ii. Din-Torah. Kaddish 2
- 458 - Ii. Entrance Of The Vendors
- 459 - Ii. First Introit (rondo): 1. Prefatory Prayers
- 460 - Ii. Fjtes. Animi Et Trhs Rythmi - Modiri Mais Toujours Trhs Rythmi - De Plus En Plus Sonore Et En Serrant Le Mouvement
- 461 - Ii. Gretchen
- 462 - Ii. Il Giubileo
- 463 - Ii. Il Vecchio Castello. Andante
- 464 - Ii. Intermezzo. Adagio
- 465 - Ii. Jeux De Vagues. Allegro
- 466 - II. La Flûte enchantée from Shéhérazade (Three songs for Voice and Orchestra)
- 467 - Ii. Largo
- 468 - Ii. Largo E Pianissimo Sempre
- 469 - II. Largo from Concerto for Oboe, Strings & Basso Continuo in D minor, RV 454
- 470 - Ii. Lento - Piu Mosso - Largo -
- 471 - Ii. Lonely Town: Pas De Deux
- 472 - Ii. Lullaby
- 473 - Ii. Malagueña
- 474 - Ii. Malaguena. Allegretto
- 475 - Ii. March Of The Pilgrims
- 476 - Ii. Moderato
- 477 - Ii. Moderato (poco Allegretto)
- 478 - Ii. Molto Vivace
- 479 - Ii. Painted Desert
- 480 - Ii. Pini Presso Una Catacomba
- 481 - Ii. Poules Et Coqs
- 482 - Ii. Profanation
- 483 - Ii. Psalm 23 (complete) & Psalm 2 (verses 1-4)*
- 484 - Ii. Queues De Boeuf (ox-Tails)
- 485 - Ii. Romance. Allegretto
- 486 - Ii. Scene At The Bar
- 487 - Ii. Scherzo. Wuchtig
- 488 - Ii. Scherzo. Allegro Non Troppo
- 489 - Ii. Scherzo. Vivace - Trio
- 490 - Ii. Scherzo: Allegro Molto 3/4; Moderato 4/4
- 491 - Ii. Stürmisch Bewegt. Mit Grösster Vehemenz
- 492 - Ii. Szene Am Bach. Andante Molto Moto
- 493 - Ii. The Kalendar Prince. Lento - Andantino - Allegro Molto - Vivace Scherzando - Moderato Assai - Allegro Molto Ed Animato
- 494 - Ii. Variazioni. Andante Con Moto
- 495 - Ii. Waltz
- 496 - Ii.children's Day. Allegro
- 497 - Iii
- 498 - III - On The Trail from Grand Canyon Suite
- 499 - Iii. Allegretto Grazioso; Presto Ma Non Assai
- 500 - III. Allegretto grazioso; Presto ma non assai from Symphony No. 2 in D Major, Op. 73
- 501 - Iii. Allegretto Non Troppo; Allegro Molto Vivace
- 502 - Iii. Allegro Giocoso; Poco Meno Presto
- 503 - Iii. Allegro Scherzando
- 504 - Iii. Con Moto Moderato
- 505 - Iii. Nicht Schnell
- 506 - Iii. On The Trail
- 507 - Iii. Poco Allegretto
- 508 - Iii. Psalmodie De L'ubiquité Par Amour: Dieu Présent En Toutes Choses
- 509 - Iii. Scherzo, Pizzicato Ostinato
- 510 - Iii. Scherzo: Allegro
- 511 - Iii. Scherzo: Lebhaft
- 512 - Iii. Vivacissimo; Lento E Suave
- 513 - Iii. (elegia). Andante, Non Troppo
- 514 - III. Adagietto. Adagio from L'Arlésienne Suite No. 1
- 515 - Iii. Adagio
- 516 - Iii. Adagio Cantabile
- 517 - Iii. Adagio Molto E Cantabile
- 518 - Iii. Adagio Non Troppo
- 519 - Iii. Alborada. Vivo E Strepitoso
- 520 - Iii. Allegro
- 521 - Iii. Allegro Assai
- 522 - Iii. Allegro Con Fuoco
- 523 - Iii. Allegro Molto
- 524 - Iii. Andante Moderato
- 525 - Iii. Andantino Quasi Allegretto
- 526 - Iii. Cadenza
- 527 - Iii. Danzon
- 528 - Iii. Dialogue Du Vent Et De La Mer. Animi Et Tumultueux
- 529 - Iii. Die Lorelei. Allegro Molto - Presto - Adagio - (soprano, Bass)
- 530 - III. Élégie. Larghetto elegiaco from Serenade for String Orchestra in C Major, Op. 48
- 531 - Iii. Enter Two Girls
- 532 - Iii. Entrance Of The Customers
- 533 - Iii. Erixymathus
- 534 - Iii. Eryximachus
- 535 - Iii. Finale. Alla Breve
- 536 - Iii. Finale. Allegro Con Fuoco
- 537 - Iii. Finale: Lento; Allegro Moderato 4/4
- 538 - Iii. Habanera
- 539 - Iii. Hémiones
- 540 - Iii. I Pini Del Gianicolo
- 541 - Iii. In Ruhig Fließender Bewegung
- 542 - Iii. Kittyhawk
- 543 - Iii. L'ottobrata
- 544 - Iii. Lamentation
- 545 - Iii. Largo
- 546 - Iii. Lento
- 547 - Iii. Lustiges Zusammensein Der Landleute. Allegro
- 548 - Iii. Menuet - Trio
- 549 - Iii. Menuet. Allegretto - Trio
- 550 - Iii. Menuet. Allegro - Trio
- 551 - Iii. Menuet. Moderato - Trio
- 552 - Iii. Menuetto - Trio
- 553 - Iii. Menuetto. Allegro Molto E Vivace
- 554 - Iii. Menuetto. Allegretto - Trio
- 555 - Iii. Mephistopheles
- 556 - Iii. Moderato -
- 557 - Iii. Offertorio
- 558 - Iii. Passacaglia. Andante
- 559 - Iii. Presto
- 560 - Iii. Presto - Presto Meno Assai
- 561 - III. Presto from Concerto In G Major for Piano and Orchestra
- 562 - Iii. Presto In Moto
- 563 - Iii. Psalm 131 (complete) & Psalm 133 (verse 1)
- 564 - Iii. Rondo
- 565 - Iii. Rondo. Allegro Non Troppo
- 566 - Iii. Rondo. Allegro
- 567 - III. Rondo. Allegro from Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor"
- 568 - Iii. Rondo: Vivace
- 569 - Iii. Scherzo. Kaddish 3. Finale
- 570 - Iii. Scherzo. Molto Vivace
- 571 - Iii. Scherzo: Allegro Vivace
- 572 - III. Scherzo: Allegro vivace from Symphony No. 3 in E-flat Major, Op. 55, "Eroica"
- 573 - Iii. Second Introit: 1. In Nomine Patris
- 574 - Iii. Serenade
- 575 - Iii. Sostenuto; Allegro Molto
- 576 - Iii. Taveuk Gueunksis
- 577 - Iii. Tempo Di Menuetto
- 578 - Iii. The Young Prince And The Young Princess. Andantino Quasi Allegretto
- 579 - III. The Young Prince and the Young Princess. Andantino quasi allegretto from Shéhérazade, Symphonic Suite for Orchestra, Op. 35
- 580 - Iii. Times Square: 1944
- 581 - Iii. Tuileries. Allegretto Non Troppo, Capriccioso
- 582 - Iii. Un Poco Allegretto E Grazioso
- 583 - Iii.communion. Largo
- 584 - Il Turco In Italia Overture
- 585 - Il Viaggio A Reims Overture
- 586 - Im Alten Marschtempo
- 587 - Im Anfang Sehr Zurückgehalten
- 588 - Immer Dasselbe Tempo (marsch). Nicht Eilen
- 589 - Immer Sehr Gemächlich.
- 590 - imple Superna Gratia
- 591 - Impromptu No. 3 in G flat D899
- 592 - In Diesem Wetter
- 593 - In the Steppes of Central Asia
- 594 - In the Steppes of Central Asia: Allegretto con moto
- 595 - Infernal Dance Of King Kashchei
- 596 - infirma Nostri Corporis
- 597 - Ingemisco Tamquam Reus
- 598 - intone Your Hymn & Chorus Of Zither-Players:païan, Lyre D'or
- 599 - Introduction
- 600 - Introduction and Polonaise Op. 3: Alla Polacca (Allegro con spirito)
- 601 - It s Always Fair Weather: Stillman s Gym
- 602 - It s Love
- 603 - It's Love
- 604 - Iv
- 605 - Iv. Allegro
- 606 - Iv. Allegro Con Spirito
- 607 - Iv. Allegro Energico E Passionato; Più Allegro
- 608 - Iv. Allegro Molto
- 609 - Iv. Feierlich
- 610 - Iv. Finale: Allegro Moderato
- 611 - Iv. Finale: Allegro Con Fuoco
- 612 - IV. Finale: Allegro con fuoco from Symphony No. 4 in F minor, Op. 36
- 613 - Iv. Langsam; Lebhaft
- 614 - Iv. Saltarello. Presto
- 615 - Iv. (intermezzo Interrotto). Allegretto
- 616 - Iv. Adagietto. Sehr Langsam From Symphony No. 5 In C-Sharp Minor
- 617 - Iv. Adagio - Piy Andante - Allegro Non Troppo, Ma Con Brio
- 618 - Iv. Agathon (adagio)
- 619 - Iv. Allegro Brio - Presto - Allegretto Poco Moderato - Allegro Con Brio - Presto
- 620 - Iv. Allegro Con Brio
- 621 - Iv. Allegro Con Fuoco
- 622 - Iv. Allegro Con Moto
- 623 - Iv. Allegro Molto
- 624 - IV. Allegro molto from Symphony No. 5 in E-Flat Major, Op. 82
- 625 - Iv. Allegro Non Troppo
- 626 - IV. Allegro non troppo from Symphony No. 5 in D minor, Op. 47
- 627 - Iv. Allegro Vivace
- 628 - Iv. Burlesca. Allegro Con Brio
- 629 - Iv. Bydlo. Sempre Moderato, Pesante
- 630 - Iv. Civet à Toute Vitesse (rabbit At Top Speed)
- 631 - Iv. Con Brio
- 632 - Iv. Confession: 1. Confiteor
- 633 - Iv. Feria
- 634 - Iv. Festival At Baghdad - The Sea - The Shipwreck. Allegro Molto - Lento - Vivo - Allegro Non Troppo E Maestoso - Lento - Tempo Come I
- 635 - Iv. Field Marshal
- 636 - Iv. Finale. Adagio - Allegro Molto E Vivace
- 637 - Iv. Finale. Allegro Moderato - Allegro Energico
- 638 - Iv. Finale. Allegro
- 639 - Iv. Finale. Allegro Con Spirito
- 640 - IV. Finale. Allegro from Symphony No. 39 in E-flat Major, KV 543
- 641 - Iv. Finale. Presto
- 642 - Iv. Finale. Presto Assai
- 643 - Iv. Finale. Vivace
- 644 - Iv. Finale. Vivace (assai)
- 645 - IV. Finale. Vivace from Symphony in C Major, Hob. I: 82, The Bear
- 646 - Iv. Finale: Allegro Vivace
- 647 - Iv. Gewitter, Sturm. Allegro
- 648 - Iv. I Pini Della Via Appia
- 649 - Iv. La Befana
- 650 - Iv. Largo
- 651 - Iv. Lento Maestoso
- 652 - Iv. Molto Allegro
- 653 - Iv. Molto Deliberato
- 654 - IV. Molto deliberato from Symphony No. 3
- 655 - Iv. Orgy Of The Brigands
- 656 - Iv. Pas De Deux
- 657 - Iv. Presto
- 658 - Iv. Quasi Menuetto - Trio
- 659 - Iv. Sanctus
- 660 - Iv. Scena E Canto Gitano. Allegretto
- 661 - IV. Solvejg's Song from Peer Gynt Suite No. 2, Op. 55
- 662 - Iv. Sunset
- 663 - Iv. Tango Of The Merchant's Daughters
- 664 - Iv. The Airborne
- 665 - Iv. The Suicide. Adagio
- 666 - Iv. Tortues
- 667 - Iv.urlicht - Sehr Feierlich, Aber Schlicht
- 668 - Ix. Air Force: Ballad Of Hurry-Up
- 669 - Ix. Gospel-Sermon:god Said
- 670 - Ix. La Cabane Sur Des Pattes De Poule - Allegro Con Brio, Feroce - Andante Mosso - Allegro Molto
- 671 - Ix. Le Coucou Au Fond Des Bois
- 672 - Ix. O Delvig, DelvigAndante (bass)
- 673 - Ix. Spanish Waltz
- 674 - Jet Song
- 675 - Jeux - Pohme Dansi - Trhs Lent - Scherzando - Mouvement Du Prilude - Assez Animi - Mouvement De Valse - Mouvement Du Prilude
- 676 - Jupiter, The Bringer Of Jollity. Allegro Giocoso-Andante Maestoso-Tempo I-Maestoso-Lento Maestoso-Presto
- 677 - Just In Time from Bells are Ringing
- 678 - King Stephen or Hungary's First Benefactor, Op.117: Andante con moto - Presto
- 679 - King Stephen Overture, Op. 117
- 680 - L'italiana In Algeri Overture
- 681 - La Cenerentola Overture
- 682 - La Gazza Ladra Overture
- 683 - La Sonnambula: Act I, " Perdona, O Mia Diletta", (Elvino, Amina, coro)
- 684 - La Sonnambula: Act I, "A Fosco Dielo, A Notte Bruna", (Coro, Rodolfo, Amina, Teresa, Elvino)
- 685 - La Sonnambula: Act I, "Basta Cosi. Ciascuno Si Attenga", (Roldolfo, Teresa, Coro, Elvino)
- 686 - La Sonnambula: Act I, "Care Compagne e voi Teneri Amici", (Amina, Coro)
- 687 - La Sonnambula: Act I, "Che Veggio? Saria Forse", (Rodolfo, Amina, Lisa)
- 688 - La Sonnambula: Act I, "Come nel Vostro Cor", (Coro, Amina, Elvino)
- 689 - La Sonnambula: Act I, "Come per me Sereno", (Amina, Coro)
- 690 - La Sonnambula: Act I, "Contezza del Paese", (Lisa, Rodolfo, Teresa, Coro)
- 691 - La Sonnambula: Act I, "d'un Pensiero e D'un Accento", (Amina, Elvino, Coro, Teresa, Alessio)
- 692 - La Sonnambula: Act I, "Davver, Non Mi Dispiace", (Rodolfo, Lisa)
- 693 - La Sonnambula: Act I, "Domani, Appena Aggiorni", (Elvino, Coro, Amina, Rodolfo, Lisa)
- 694 - La Sonnambula: Act I, "E Menzogna!", (Elvino, Coro, Amina)
- 695 - La Sonnambula: Act I, "Elvino! E Me Tu Lasci", (Amina, Elvino)
- 696 - La Sonnambula: Act I, "In elvezia non v'ha Rosa", (Coro)
- 697 - La Sonnambula: Act I, "Io Piu di Tutti, O Amina", (Alessio, Amina, Lesa, Teresa, Coro, Notaio)
- 698 - La Sonnambula: Act I, "Ma Fra Voi,...Tu Non Sai", (Rodolfo, Coro)
- 699 - La Sonnambula: Act I, "Non Piu Nozze: Al Nuovo Amante", (Elvino, Coro, Amina, Lisa, Alessio, Teresa)
- 700 - La Sonnambula: Act I, "Oh Ciel!... Che Tento?", (Rodolfo, Amina)
- 701 - La Sonnambula: Act I, "Osservate: L'uscio e Aperto", (Coro)
- 702 - La Sonnambula: Act I, "Predni: L'anel ti Dono", (Elvino, Coro, Amina)
- 703 - La Sonnambula: Act I, "Son Geloso del Zefiro Errante", (Elvino, Amina)
- 704 - La Sonnambula: Act I, "Sovra il sen la Man mi Posa", (Amina, Coro)
- 705 - La Sonnambula: Act I, "Tutto e Gioia, Tutto e Festa...", (Lisa, Alessio, Coro)
- 706 - La Sonnambula: Act I, "Vi Ravviso, O Luoghi Ameni", (Rodolfo, Coro)
- 707 - La Sonnambula: Act I, "Viva Amina!", (Coro)
- 708 - La Sonnambula: Act II, "Ah! Non Giunge Uman Pensiero", (Amina, Coro)
- 709 - La Sonnambula: Act II, "Ah! Perche non Posso Odiarti", (Elvino, Teresa, Coro)
- 710 - La Sonnambula: Act II, "Ah, Non Credea Mirarti", (Amina, Elvino, Rodolfo)
- 711 - La Sonnambula: Act II, "De' Lieti Auguri a voi Son Grata", (Lisa, Coro)
- 712 - La Sonnambula: Act II, "E Fia Pur Vero, Elvino", (Lisa, Elvino, Coro, Rodolfo, Alessio)
- 713 - La Sonnambula: Act II, "Eggimi, O Buona Madre", (Amina, Teresa)
- 714 - La Sonnambula: Act II, "Lasciami: Aver Compreso", (Lisa, Alessio, Coro)
- 715 - La Sonnambula: Act II, "Lisa! Mendace Anch'essa!", (Elvino, Lisa, Teresa, Rodolfo)
- 716 - La Sonnambula: Act II, "No, Piu Non Reggo", (Elvino, Amina, Rodolfo, Coro)
- 717 - La Sonnambula: Act II, "Oh! se una Volta Sola Rivederlo", (Amina, Rodolfo, Teresa, Elvino)
- 718 - La Sonnambula: Act II, "Piano, Amici: Non Gridate", (Teresa, Coro, Lisa, Elvino, Rodolfo)
- 719 - La Sonnambula: Act II, "Qui La Selva e Piu Folta ed Ombrosa", (Coro)
- 720 - La Sonnambula: Act II, "Signor Conte, Agli Occhi Miel", (Elvino, Rodolfo, Coro, Lisa)
- 721 - La Sonnambula: Act II, "Signor?... Che Creder Deggio?", (Elvino, Rodolfo, Coro)
- 722 - La Sonnambula: Act II, "Vedi O Madre... e Afflitto e Mesto...", (Amina, Elvino)
- 723 - La Sonnambula: Act II, "Viv il Conte!", (Coro, Elvino, Amina, Teresa)
- 724 - La Valse: Mouvement De Valse Viennoise - Un Peu Plus Modéré - Premier Mouvement - Assez Animé
- 725 - Lacrymosa Dies Illa
- 726 - Lady Macbeth of Mtsensk, Act 3, Dritter Akt, Troisième Acte: Scene 6, Sechste Szene, Sixième Scène
- 727 - Langsam
- 728 - Langsam. Ruhevoll. Empfunden
- 729 - Langsam. Schwer
- 730 - Langsam. Tempo I
- 731 - Langsam. Misterioso
- 732 - Largo from Winter (The Four Seasons)
- 733 - Le Baiser de la fÚe, Pas de deux: Adagio
- 734 - Le Baiser de la fÚe, Pas de deux: Variation & Coda
- 735 - Le Cercle Magique. Recit du Pecheur./ El Circulo Magico. Romance del Pescador Andante molto tranquillo from El Amor Brujo
- 736 - Le Grand Tango
- 737 - Le Marseillaise
- 738 - Le Nozze Di Figaro Overture, Kv 492 - Presto
- 739 - Le Sacre du Printemps: 1. Introduction
- 740 - Le Sacre du Printemps: 2. Cercles mysteriéux des adolescentes
- 741 - Le Sacre du Printemps: 2. Les augures printaniers - Danses des adolescentes
- 742 - Le Sacre du Printemps: 3. Glorification d'élue
- 743 - Le Sacre du Printemps: 3. Jeu du rapt
- 744 - Le Sacre du Printemps: 4. Évocation des ancêtres
- 745 - Le Sacre du Printemps: 4. Rondes printanières
- 746 - Le Sacre du Printemps: 5. Action rituelle des ancêtres
- 747 - Le Sacre du Printemps: 5. Jeux des cités
- 748 - Le Sacre du Printemps: 6. Cortège du sage - Le sage
- 749 - Le Sacre du Printemps: 6. Danse sacrale: l'élue
- 750 - Le Sacre du Printemps: 7. Danse de la terre
- 751 - Le Sacre du Printemps: Adoration of the Earth
- 752 - Lento (bar 185)
- 753 - Lento Cantabile -ahQu'ils Sont Loin Ces Jours
- 754 - Lento Cantabile:ahQu'ils Sont Loin Poco Animato - Animato Poco A Poco - Poco Piu Animato -
- 755 - Leonard Bernstein Discusses Charles Ives
- 756 - Leonard Bernstein Speech (pre-Performance Disclaimer)
- 757 - Les Noces: Deuxième Tableau: Chez le Marié
- 758 - Les Noces: Premier Tableau:La Tresse
- 759 - Les Noces: Quatrième Tableau: Le Repas de Noces
- 760 - Les Noces: Troisième Tableau: Le Départ de la Mariée
- 761 - Lever Du Jour
- 762 - Liber Scriptus Proferetur
- 763 - Lonely Town (from On The Town)
- 764 - Lonley Town Pas De Deux (from On The Town)
- 765 - Lullaby
- 766 - Luonnotar (tone Poem) For Soprano And Orchestra, Op. 70
- 767 - Lustig Im Tempo Und Keck Im Ausdruck (es Sungen Drei Engel)
- 768 - Maestoso
- 769 - Maestoso. Allegro Come Prima
- 770 - Mambo. Presto
- 771 - Manfred Overture, Op. 115
- 772 - March
- 773 - March from 'The Love for Three Oranges'
- 774 - March From Symphonic Metamorphoses
- 775 - March From The Love For Three Oranges, Op. 33a. Tempo Di Marcia
- 776 - March Of The Toreadors From Carmen Suite No. 1
- 777 - Maria
- 778 - Mars, The Bringer Of War. Allegro
- 779 - Mass ? A Theatre Piece for Singers, Players and Dancers/2. Gloria in excelsis
- 780 - Mass ? A Theatre Piece for Singers, Players and Dancers/2. Hymn and Psalm: "A Simple Song"
- 781 - Mass ? A Theatre Piece for Singers, Players and Dancers/2. Prayer for the congregation (Chorale: "Almighty Father")
- 782 - Mass ? A Theatre Piece for Singers, Players and Dancers/2. Thrice-Triple Canon: Dominus vobiscum
- 783 - Mass ? A Theatre Piece for Singers, Players and Dancers/2. Trope: "I Don't Know"
- 784 - Mass ? A Theatre Piece for Singers, Players and Dancers/2. Trope: "I Go On"
- 785 - Mass ? A Theatre Piece for Singers, Players and Dancers/2. Trope: "Non Credo"
- 786 - Mass ? A Theatre Piece for Singers, Players and Dancers/3. Epiphany
- 787 - Mass ? A Theatre Piece for Singers, Players and Dancers/3. Responsory: Alleluia
- 788 - Mass ? A Theatre Piece for Singers, Players and Dancers/3. Trope: "Easy"
- 789 - Mass ? A Theatre Piece for Singers, Players and Dancers/3. Trope: "Half of the People"
- 790 - Mass ? A Theatre Piece for Singers, Players and Dancers/3. Trope: "Hurry"
- 791 - Mass ? A Theatre Piece for Singers, Players and Dancers/4. Trope: "Thank You"
- 792 - Mass ? A Theatre Piece for Singers, Players and Dancers/4. Trope: "World Without End"
- 793 - Mass ? A Theatre Piece for Singers, Players and Dancers/5. Trope: "I Believe in God"
- 794 - Mass ? A Theatre Piece for Singers, Players and Dancers/I. Devotions before Mass: 1. Antiphon: Kyrie eleison
- 795 - Mass ? A Theatre Piece for Singers, Players and Dancers/II. First Introit (Rondo): 1. Prefatory Prayers
- 796 - Mass ? A Theatre Piece for Singers, Players and Dancers/III. Second Introit: 1. In nomine Patris
- 797 - Mass ? A Theatre Piece for Singers, Players and Dancers/IV. Confession: 1. Confiteor
- 798 - Mass ? A Theatre Piece for Singers, Players and Dancers/IX. Gospel-Sermon: "God Said"
- 799 - Mass ? A Theatre Piece for Singers, Players and Dancers/V. Meditation No. 1
- 800 - Mass ? A Theatre Piece for Singers, Players and Dancers/VI. Gloria: 1. Gloria tibi
- 801 - Mass ? A Theatre Piece for Singers, Players and Dancers/VII. Meditation No. 2
- 802 - Mass ? A Theatre Piece for Singers, Players and Dancers/VIII. Epistle: "The Word of the Lord"
- 803 - Mass ? A Theatre Piece for Singers, Players and Dancers/X. Credo: 1. Credo in unum Deum
- 804 - Mass ? A Theatre Piece for Singers, Players and Dancers/XI. Meditation No. 3 (De profundis, part 1)
- 805 - Mass ? A Theatre Piece for Singers, Players and Dancers/XII. Offertory (De profundis, part 2)
- 806 - Mass ? A Theatre Piece for Singers, Players and Dancers/XIII. The Lord's Prayer: 1. Our Father...
- 807 - Mass ? A Theatre Piece for Singers, Players and Dancers/XIV. Sanctus
- 808 - Mass ? A Theatre Piece for Singers, Players and Dancers/XV. Agnus Dei
- 809 - Mass ? A Theatre Piece for Singers, Players and Dancers/XVI. Fraction: "Things Get Broken"
- 810 - Mass ? A Theatre Piece for Singers, Players and Dancers/XVII. Pax: Communion ("Secret Songs")
- 811 - Mass in D, Op.123Missa Solemnis: Agnus Dei: Agnus Dei
- 812 - Mass in D, Op.123Missa Solemnis: Agnus Dei: Dona nobis pacem
- 813 - Mass in D, Op.123Missa Solemnis: Agnus Dei: Presto
- 814 - Mass in D, Op.123Missa Solemnis: Credo: Amen
- 815 - Mass in D, Op.123Missa Solemnis: Credo: Credo in unum Deum
- 816 - Mass in D, Op.123Missa Solemnis: Credo: Et ascendit in coelum
- 817 - Mass in D, Op.123Missa Solemnis: Credo: Et incarnatus est
- 818 - Mass in D, Op.123Missa Solemnis: Credo: Et vitam venturi saeculi
- 819 - Mass in D, Op.123Missa Solemnis: Gloria: Amen - Quoniam tu solus sanctus
- 820 - Mass in D, Op.123Missa Solemnis: Gloria: Gloria in excelsis Deo
- 821 - Mass in D, Op.123Missa Solemnis: Gloria: In gloria Dei Patris, Amen
- 822 - Mass in D, Op.123Missa Solemnis: Gloria: Qui tollis peccata mundi
- 823 - Mass in D, Op.123Missa Solemnis: Gloria: Quoniam tu solus sanctus
- 824 - Mass in D, Op.123Missa Solemnis: Kyrie: Christe eleison
- 825 - Mass in D, Op.123Missa Solemnis: Kyrie: Kyrie eleison
- 826 - Mass in D, Op.123Missa Solemnis: Sanctus: Benedictus
- 827 - Mass in D, Op.123Missa Solemnis: Sanctus: Pleni sunt coeli
- 828 - Mass in D, Op.123Missa Solemnis: Sanctus: Praeludium
- 829 - Mass in D, Op.123Missa Solemnis: Sanctus: Sanctus Dominus Deus Sabaoth
- 830 - Mass: Agnus Dei
- 831 - Mass: Credo
- 832 - Mass: Gloria
- 833 - Mass: Kyrie
- 834 - Mass: Sanctus
- 835 - Measure 104
- 836 - Measure 194
- 837 - Méditation: Largo Misterioso -grands Pharaons -
- 838 - Méditation: Largo Misterioso -grands Pharaons
- 839 - Meeting Scene. Meno Mosso
- 840 - Melodrama From The Snow Maiden, Op. 12
- 841 - Mercury, The Winged Messenger. Vivace
- 842 - Messiah/II. Comfort ye, my people (Recitative - Tenor)
- 843 - Messiah/III. Every valley shall be exalted (Air - Tenor)
- 844 - Messiah/IV. And the glory of the Lord (Chorus)
- 845 - Messiah/IX. O thou that tellest good tidings to Zion (Air - Countertenor)
- 846 - Messiah/LII. Worthy is the Lamb; Blessing and honour, glory and power, be unto Him (Chorus)
- 847 - Messiah/Part One: Christmas Section: I. Overture (Sinfonia)
- 848 - Messiah/Part Two: Easter Section: Behold the Lamb of God (Chorus)
- 849 - Messiah/V. Thus saith the Lord (Recitative - Bass)
- 850 - Messiah/VI. But who may abide (Air - Bass)
- 851 - Messiah/VII. And He shall purify (Chorus)
- 852 - Messiah/VIII. Behold, a virgin shall conceive (Recitative - Countertenor)
- 853 - Messiah/XII. For unto us a child is born" (Chorus)
- 854 - Messiah/XIII. Pastoral Symphony (Pifa)
- 855 - Messiah/XIVa. There were shepherds (Recitative - Soprano)
- 856 - Messiah/XIVb. And, lo! the angel of the Lord came upon them (Recitative - Soprano)
- 857 - Messiah/XIX. Then shall the eyes of the blind be opened (Recitative - Countertenor)
- 858 - Messiah/XL. Why do the nations (Air - Bass)
- 859 - Messiah/XLI. Let us break their bonds asunder (Chorus)
- 860 - Messiah/XLII. He that dwelleth in heaven (Reciative. - Tenor)
- 861 - Messiah/XLIII. Thou shalt break them (Air - Tenor)
- 862 - Messiah/XLIV. Hallelujah! (Chorus)
- 863 - Messiah/XLV. I know that my redeemer liveth (Air - Soprano)
- 864 - Messiah/XLVI. Since by man came death (Chorus)
- 865 - Messiah/XLVII. Behold, I tell you a mystery (Recitative - Bass)
- 866 - Messiah/XLVIII. The trumpet shall sound (Air - Bass)
- 867 - Messiah/XV. And the angel said unto them (Recit. - Soprano)
- 868 - Messiah/XVI. And suddenly there was with the angel (Recitative - Soprano)
- 869 - Messiah/XVII. All they that see Him (Recitative - Tenor)
- 870 - Messiah/XVII. Glory to God (Chorus)
- 871 - Messiah/XVIII. He trusted in God (Chorus)
- 872 - Messiah/XVIII. Rejoice greatly, O daughter of Zion (Air - Soprano)
- 873 - Messiah/XX. He shall feed His flock (Air - Countertenor and Soprano)
- 874 - Messiah/XXIII. He was despised (Air - Countertenor)
- 875 - Messiah/XXIX. Thy rebuke hath broken His heart (Recitative - Tenor)
- 876 - Messiah/XXV. And with His stripes we are healed (Chorus)
- 877 - Messiah/XXVI. All we like sheep have gone astray (Chorus)
- 878 - Messiah/XXX. Behold, and see if there be any sorrow (Air - Tenor)
- 879 - Messiah/XXXI. He was cut off (Recitative - Soprano)
- 880 - Messiah/XXXIII. Lift up your heads (Chorus)
- 881 - Messiah: Highlights/Air: Every valley shall be exalted
- 882 - Messiah: Highlights/Air: He shall feed His flock
- 883 - Messiah: Highlights/Air: I know that my redeemer liveth
- 884 - Messiah: Highlights/Air: O thou that tellest good tidings to zion
- 885 - Messiah: Highlights/Air: The trumpet shall sound
- 886 - Messiah: Highlights/Chorus: And He shall purify
- 887 - Messiah: Highlights/Chorus: And the glory of the Lord
- 888 - Messiah: Highlights/Chorus: For unto us a Child is born
- 889 - Messiah: Highlights/Chorus: Lift up your heads
- 890 - Messiah: Highlights/Chorus: Worthy is the Lamb; Blessing and honor; Amen
- 891 - Messiah: Highlights/Hallelujah!
- 892 - Mignon Overture
- 893 - Minuet in G Major, WoO 10, No. 2
- 894 - Mit Aufschwung, Aber Nicht Eilen
- 895 - Mock Abduction
- 896 - Molto Adagio
- 897 - Molto Adagio from Adagio for Strings
- 898 - Morning Mood from Peer Gynt Suite No.1, Op.46
- 899 - Mouvement de Valse viennoise - Un peu plus modéré - Premier mouvement - Assez animé from La Valse
- 900 - Movement I. Bedächtig. Nicht Eilen
- 901 - Movement I. Kraftig. Entschieden
- 902 - Movement I. Langsam (adagio)
- 903 - Movement I. Langsam. Schleppend. Wie Ein Naturlaut.
- 904 - Movement Ii. In Gemächlicher Bewegung. Ohne Hast
- 905 - Movement Ii. Kräftig Bewegt
- 906 - Movement Ii. Nachtmusik I: Allegro Moderato
- 907 - Movement Ii. Tempo Di Menuetto. Sehr Mäßig
- 908 - Movement Iii. A Tempo. Ziemlich Langsam
- 909 - Movement Iii. Comodo. Scherzando. Ohne Hast
- 910 - Movement Iii. Scherzo: Schattenhaft; Fliessend, Aber Nicht Zu Schnell; In Den Anfangstakten Noch Etwas Zögernd
- 911 - Movement Iv. Nachtmusik Ii: Andante Amoroso
- 912 - Movement Iv. Sehr Behaglich
- 913 - Movement Iv. Sehr Langsam. Misterioso. Durchaus Ppp (o MenschGib Acht)
- 914 - Movement Iv. Stürmisch Bewegt
- 915 - Movement V. Rondo-Finale: Tempo I (allegro Ordinario)
- 916 - Moving Forward, With WarmthLargamenteA TempoCalmatoAndante Come PrimaSempre Avanti, With IntensityAncora Più Mosso
- 917 - Music For The Theatre (1925): 1. Prologue - Molto Moderato: Music For The Theatre (1925): 1. Prologue - Molto Moderato
- 918 - Music For The Theatre (1925): 2. Dance - Allegro Molto: Music For The Theatre (1925): 2. Dance - Allegro Molto
- 919 - Music For The Theatre (1925): 3. Interlude - Lento Moderato: Music For The Theatre (1925): 3. Interlude - Lento Moderato
- 920 - Music For The Theatre (1925): 4. Burlesque - Allegro Vivo: Music For The Theatre (1925): 4. Burlesque - Allegro Vivo
- 921 - Music For The Theatre (1925): 5. Epilogue - Moderato - Molto: Music For The Theatre (1925): 5. Epilogue - Moderato - Molto
- 922 - Music to Goethe's TragedyEgmont op.84: Ouverture - Sostenuto, ma non troppo - Allegro
- 923 - Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55,Eroica):All that we have said (4th movt.)
- 924 - Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55,Eroica):I always feel this gigantism (2nd movt.)
- 925 - Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55,Eroica):Simplicity itself... (1st movement)
- 926 - Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55,Eroica):The study of the Eroica is a lifetime work,...
- 927 - Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55,Eroica):We have just been examining... (3rd movt.)
- 928 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 1.Brahms´ Fourth Symphony in E minor is today ... (4th movt., opening theme)
- 929 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 2.Our journey begins without introduction...
- 930 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 3.Do you see now what a symphonic theme is
- 931 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 4.Now, think of it - we have so far only had 44 bars of music
- 932 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 5.Here is that second theme
- 933 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 6.This brings us to the development section proper
- 934 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 7. And here we are back home, ready for the rehearing of the exposition, ...
- 935 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 8.So we arrive at the coda
- 936 - Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 9.Well, we have had a microscopic look at symphonic method
- 937 - Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61: 2.To my mind Schumann follows in this tradition
- 938 - Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74,Pathetique: 1.Now there is a melody, a pure orchestral song... (1st movt.)
- 939 - Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74,Pathetique: 2.Now the development section erupts... (1st movt. cont.)
- 940 - Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74,Pathetique: 3.Now one would think that Tchaikovsky had really exploited the device of scales(2nd movt)
- 941 - Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74,Pathetique: 4.Jumping now to the famous third movement, the great March... (3rd movt.)
- 942 - Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74,Pathetique: 5.Perhaps the most admirable example of this is to be found in the wonderful last movement, ... (4th movt.)
- 943 - Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74,Pathetique: 6.Now I don´t want to give you the impression that scales are the only unifying force in this work
- 944 - Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95,From the New World: 1.Does this music sound like the New World to you(3rd movt., Trio II; 1st movt.)
- 945 - Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95,From the New World: 2.We come now to the second movement, which has a charming melody, ... (2nd movt.)
- 946 - Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95,From the New World: 3.The third movement is a marvel of ingenuity and deftness (3rd movt.)
- 947 - Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95,From the New World: 4.And now the last movement. In general I should say that this is the most Slavic of all (4th movt.)
- 948 - Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95,From the New World: 5.The final claim of those who argue for the New World Symphny as American music, ... (4th movt.,cont.)
- 949 - My Darlin Eileen (Eileen, Drunk, Police)
- 950 - My Darlin' Eileen
- 951 - Mysterious Lady
- 952 - Mystical Circles Of The Young Girls
- 953 - Neptune, The Mystic. AndanteAllegretto
- 954 - Never Never Land
- 955 - New Pizzicato Polka (neue Pizzicato Polka), Op. 449
- 956 - New York, New York (finale Act Ll) (from On The Town)
- 957 - Nicht Eilen
- 958 - Nicht Mehr So Breit
- 959 - Nicht Schleppen
- 960 - Night On Bald Mountain
- 961 - Nocturne. Andantino molto [Micaela's Aria] from Carmen Suite No.2
- 962 - Nun Seh Ich Wohl, Warum So Dunkle Flammen
- 963 - Nun Will Die Sonn So Hell Aufgehn
- 964 - Oft Denk Ich, Sie Sind Nur Ausgegangen
- 965 - Ohio
- 966 - Ohio (Ruth, Eileen)
- 967 - Oklahoma! - Oh, What a Beautiful Mornin'
- 968 - Ol' Man River from Show Boat
- 969 - On the Town: Three Dance Episodes: 1. The great lover (Allegro pesante)
- 970 - On the Town: Three Dance Episodes: 2. Lonely town: Pas de deux (Andante sostenuto)
- 971 - On the Town: Three Dance Episodes: 3. Times Square: 1944
- 972 - On The Waterfront
- 973 - On the Waterfront: a tempo (Poco più sostenuto)
- 974 - On the Waterfront: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
- 975 - On the Waterfront: Allegro non troppo, molto marcato - Poco più sostenuto
- 976 - On the Waterfront: Andante
- 977 - On the Waterfront: Andante largamente - More flowing - Lento
- 978 - On the Waterfront: Moving forward - Largamente - Andante come prima
- 979 - On The Waterfront: Themes
- 980 - One Hand, One Heart
- 981 - One Hand, One Heart (from West Side Story)
- 982 - One Hundred Easy Ways
- 983 - One Hundred Easy Ways (Ruth)
- 984 - Opening: New York, New York from On the Town
- 985 - Out Oflast Pieces
- 986 - Overture
- 987 - Overture Candide: Overture Candide
- 988 - OvertureCoriolan, Op.62
- 989 - OvertureLeonore No.3, Op. 72a
- 990 - Pantomime
- 991 - Part I - A) The Prologue
- 992 - Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt
- 993 - Part Ii - A) The Dirge
- 994 - Part Ii: Iii. Scherzo. Kräftig, Nicht Zu Schnell
- 995 - Part Iii: Iv. Adagietto. Sehr Langsam
- 996 - Part One
- 997 - Part One - Adoration Of The Earth: Introduction. Lento
- 998 - Part Three
- 999 - Part Two
- 1000 - Part Two - The Sacrifice: Introduction. Largo
- 1001 - Pas De Deux
- 1002 - Pass The Football
- 1003 - Pass The Football (Wreck)
- 1004 - Pavane pour une infante défunte
- 1005 - Pavane, Op. 50
- 1006 - Perpetuum Mobile, Op. 257
- 1007 - Peter And The Wolf, Op. 67
- 1008 - Petrouchka: Apparition of Petrouchka's Ghost
- 1009 - Petrouchka: Dance of the Coachmen and the Grooms
- 1010 - Petrouchka: Dance of the Peasant and the Bear
- 1011 - Petrouchka: Dance of the Wet-nurses
- 1012 - Petrouchka: Death of Petrouchka
- 1013 - Petrouchka: Petrouchka's Room
- 1014 - Petrouchka: Russian Dance
- 1015 - Petrouchka: The Masqueraders
- 1016 - Petrouchka: The Merchant and the Gipsies
- 1017 - Petrouchka: The Moor's Room - Dance of the Ballerina
- 1018 - Petrouchka: The Police and the Charlatan
- 1019 - Petrouchka: The Scuffle
- 1020 - Petrouchka: The Shrovetide Fair (Evening)
- 1021 - Petrouchka: The Shrovetide Fair - The Crowds - The Conjuring-trick
- 1022 - Petrouchka: Waltz (The Ballerina and the Moor)
- 1023 - Piano Concerto in A minor, Op.54: 1. Allegro affettuoso
- 1024 - Piano Concerto in A minor, Op.54: 2. Intermezzo (Andantino grazioso)
- 1025 - Piano Concerto in A minor, Op.54: 3. Allegro vivace
- 1026 - Piano Concerto No.4 in G, Op.58: 2. Andante con moto
- 1027 - Piano Quintet in E-flat Major, Op. 44/I. Allegro brillante
- 1028 - Piano Quintet in E-flat Major, Op. 44/II. In modo d'una Marcia. Un poco largamente - Agitato
- 1029 - Piano Quintet in E-flat Major, Op. 44/III. Scherzo molto vivace - Trio I - Trio II - Coda
- 1030 - Piano Quintet in E-flat Major, Op. 44/IV. Allegro, ma non
- 1031 - Più Mosso
- 1032 - Più Mosso Subito
- 1033 - Pizzicato Polka
- 1034 - Poet And Peasant Overture Carl Stern, Solo Cello
- 1035 - Pohjola's Daughter, Op. 49
- 1036 - Pomp And Circumstance, Op. 39 Military March No. 1 In D Major
- 1037 - Pomp And Circumstance, Op. 39 Military March No. 1 In D Major Allegro, Con Molto Fuoco - Trio. (largamente - Molto Maestoso)
- 1038 - Prelude For Orchestra
- 1039 - Prelude For The Brass
- 1040 - Prelude To Somewhere - Orchestra
- 1041 - Prelude To The Afternoon Of A Faun
- 1042 - Prelude To The Rumble
- 1043 - Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Fugue (for the Saxes) Exactly the same beat
- 1044 - Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Prelude (for the Brass) Fast and exact
- 1045 - Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Riffs (for Everyone)
- 1046 - Presto-Rezitativo "O Freunde, nicht diese Tone" - Allegro assai from Symphony No. 9 in D Minor, Op. 125 "Choral"
- 1047 - Prilude ` L'aprhs-Midi D'un Faune - Trhs Modiri
- 1048 - Prld, Fugue And Riffs
- 1049 - Procession Of The Sardar From Two Caucasian Sketches, Op. 10
- 1050 - Procession Of The Wise Elders
- 1051 - Prologue
- 1052 - Prologue. Allegro Moderato
- 1053 - Prologue/jet Song
- 1054 - Prologue:gentle People We Bid You Silence...
- 1055 - Promenade. Allegro Giusto, Nel Modo Russico; Senza Allegrezza, Ma Poco Sostenuto
- 1056 - Promenade. Moderato Comodo E Con Delicatezza
- 1057 - Promenade. Moderato Non Tanto, Pesante
- 1058 - Promenade. Tranquillo
- 1059 - Pulcinella (Concert Suite): 1. Sinfonia (Ouverture)
- 1060 - Pulcinella (Concert Suite): 2. Serenata
- 1061 - Pulcinella (Concert Suite): 3. Scherzino - Allegro - Andantino
- 1062 - Pulcinella (Concert Suite): 4. Tarantella
- 1063 - Pulcinella (Concert Suite): 5. Toccata
- 1064 - Pulcinella (Concert Suite): 6. Gavotta con due variazioni
- 1065 - Pulcinella (Concert Suite): 7. Vivo
- 1066 - Pulcinella (Concert Suite): 8. a) Minuetto: Molto moderato, b) Finale: Allegro assai
- 1067 - Quartet for Piano, Violin, Viola & Cello in E-flat Major, Op. 47/I. Sostenuto assai - Allegro ma non troppo
- 1068 - Quartet for Piano, Violin, Viola & Cello in E-flat Major, Op. 47/II. Scherzo. Molto Vivace - Trio I -Trio II
- 1069 - Quartet for Piano, Violin, Viola & Cello in E-flat Major, Op. 47/III. Andante cantabile
- 1070 - Quartet for Piano, Violin, Viola & Cello in E-flat Major, Op. 47/IV. Finale. Vivace
- 1071 - qui Paraclitus Deceris
- 1072 - Quid Sum Miser
- 1073 - Quiet City for Cor Anglais, Trumpet and Strings
- 1074 - Quiet Incidental
- 1075 - Radetsky March, Op. 228
- 1076 - Rákóczy March/hungarian March From La Damnation De Faust, Op. 24
- 1077 - Raymond Overture
- 1078 - Recitativo.c'en Est Donc Fait.... Moderato - Allegro - Moderato - Allegro Non Troppo
- 1079 - Recitativo:au Comble Des Revers,...Moderato - Presto - Lento Misurato
- 1080 - Recitativo:au Comble Des Revers. Moderato
- 1081 - Recitativo:c'en Est Donc Fait. Moderato
- 1082 - Recitativoo Freunde, Nicht Diese Töne - Allegro Assai
- 1083 - Recordare, Jesu Pie
- 1084 - Reprise: It's Love
- 1085 - Reprise: Ohio
- 1086 - Requiem in D minor, K.626: Agnus Dei
- 1087 - Requiem in D minor, K.626: Benedictus
- 1088 - Requiem in D minor, K.626: Confutatis (Sequenz)
- 1089 - Requiem in D minor, K.626: Dies irae (Sequenz)
- 1090 - Requiem in D minor, K.626: Domine Jesu (Offertorium)
- 1091 - Requiem in D minor, K.626: Hostias (Offertorium)
- 1092 - Requiem in D minor, K.626: Kyrie
- 1093 - Requiem in D minor, K.626: Lacrimosa (Sequenz)
- 1094 - Requiem in D minor, K.626: Lux aeterna (Communio)
- 1095 - Requiem in D minor, K.626: Recordare (Sequenz)
- 1096 - Requiem in D minor, K.626: Requiem (Introitus)
- 1097 - Requiem in D minor, K.626: Rex tremendae (Sequenz)
- 1098 - Requiem in D minor, K.626: Sanctus
- 1099 - Requiem in D minor, K.626: Tuba mirum (Sequenz)
- 1100 - Réunion Des Duex Themes, Du Larghetto Et De L'allegro
- 1101 - Rex Tremendae Majestatis
- 1102 - Rhapsody In Blue
- 1103 - Riffs For Everyone
- 1104 - Ritual Of The Ancestors
- 1105 - Romance. Andante From Eine Kleine Nachtmusik, K. 525
- 1106 - Roses From The South (rosen Aus Dem Sden), Op. 388
- 1107 - Roses From The South, Op. 388 (rosen Aus Dem Suden)
- 1108 - Ruhevoll
- 1109 - Rule, Britannia
- 1110 - Rumble. Molto Allegro
- 1111 - Ruslan and Ludmilla: Overture
- 1112 - Sacrificial Dance (the Chosen Victim)
- 1113 - Sacrificial Dance (The Chosen Victim) from Le Sacre du Printemps (The Rite of Spring)
- 1114 - Saturn, The Bringer Of Old Age. AdagioAndante
- 1115 - Saudades do Brasil Op. 67: Tijuca (transcribed Rostropovich)
- 1116 - Scene At The Bar
- 1117 - Scènes de ballet: Apothéose
- 1118 - Scènes de ballet: Danses (corps de ballet)
- 1119 - Scènes de ballet: Introduction
- 1120 - Scènes de ballet: Pantomime
- 1121 - Scènes de ballet: Pas de deux
- 1122 - Scènes de ballet: Variation (Ballerina)
- 1123 - Scènes de ballet: Variation (Dancer)
- 1124 - Scheherazade - Symphonic Suite Op. 35: III. The Young Prince and the Young Princess
- 1125 - Schelomo: Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato
- 1126 - Scherzo. Vivace Leggiero
- 1127 - Schnell
- 1128 - Second Suite for Cello Op. 80: III. Scherzo (Allegro molto)
- 1129 - Second Window: The Magic Chamber -second Window, The Magic Chamber...within A Vast Elliptical Vault...
- 1130 - Sehr Einfach Und Schlicht Wie Eine Volksweise
- 1131 - Sehr Gemächlich.
- 1132 - Sehr Gesangvoll
- 1133 - Sehr Langsam
- 1134 - Sehr Langsam Und Gedehnt
- 1135 - Sehr Mässig Und Zurückhaltend
- 1136 - Semiramide Overture
- 1137 - Semper Fidelis
- 1138 - Sempre L'istesso Tempo
- 1139 - Sempre L'istesso Tempo. Nicht Eilen, Sehr Gemächlich
- 1140 - Sensemayá (based On A Story By Nicolas Guillen)
- 1141 - Serenade after Plato'sSymposium: 1. Phaedrus - Pausanias: Lento - Allegro marcato
- 1142 - Serenade after Plato'sSymposium: 2. Aristophanes: Allegretto
- 1143 - Serenade after Plato'sSymposium: 3. Erixymachus: Presto
- 1144 - Serenade after Plato'sSymposium: 4. Agathon: Adagio
- 1145 - Serenade after Plato'sSymposium: 5. Socrates - Alcibiades: Molto tenuto - Allegro molto vivace
- 1146 - Seven Romances on Verses by Alexander Blok, Op.127: I.Song of Ophelia
- 1147 - Seventy Six Trombones from The Music Man
- 1148 - Shaker Song from Appalachian Spring Ballett
- 1149 - Silent woods B173 (Op. 68 No. 5)
- 1150 - Sinfonía India
- 1151 - sing Exult & Chorus Of Syrians:ioIoAdoniastes
- 1152 - Slava- A Political Overture: Fast and flamboyant
- 1153 - Slavonic Dance No. 1 In C Major. Presto
- 1154 - Slavonic Dance No. 3 In A-Flat Major. Poco Allegro
- 1155 - Some Other Time
- 1156 - Some Other Time (from On The Town)
- 1157 - Something's Coming
- 1158 - Something?s Coming
- 1159 - Somewhere
- 1160 - Somewhere (Ballet)
- 1161 - Somewhere (from West Side Story)
- 1162 - somewhere. Adagio
- 1163 - Sonata for Cello and Piano in B flat Op. 71: III. Allegro molto
- 1164 - Sonata for Cello and Piano in G minor Op. 65: II. Scherzo (Allegro con brio)
- 1165 - Sonata for Cello and Piano No. 2 in A minor Op. 81: II. Andante cantabile
- 1166 - Sonata for Cello and Piano No. 2: II. Allegro
- 1167 - Sonata for Cello and Piano: IV. Toccata (Allegro con fuoco)
- 1168 - Sonata for Violin and Continuo in D HWV 371: Larghetto
- 1169 - Song of Songs: 1. Awake, O north wind
- 1170 - Song of Songs: 2. Come my beloved
- 1171 - Song of Songs: 3. By night on my bed
- 1172 - Song of Songs: 4. Set me as a seal
- 1173 - Song Of The Virgin Erigone:je Fauchais L'épi De Froment
- 1174 - Songfest: 1.To the Poem
- 1175 - Songfest: 10.Zizi's Lament
- 1176 - Songfest: 11.What lips my lips have kissed ...
- 1177 - Songfest: 12.Israfel
- 1178 - Songfest: 2.The Pennycandystore Beyond the El
- 1179 - Songfest: 3.A Julia de Burgos
- 1180 - Songfest: 4.To What You Said ...
- 1181 - Songfest: 5.I, Too, Sing America / OkayNegroes
- 1182 - Songfest: 6.To My Dear and Loving Husband
- 1183 - Songfest: 7.Storyette H.M.
- 1184 - Songfest: 8.If you can't eat you got to
- 1185 - Songfest: 9.Music I Heard With You
- 1186 - Songs and Dances of Death (orch.Dmitri Shostakovich): The Field-Marshal (Vivo - alla guerra)
- 1187 - Spring Round Dances
- 1188 - Stars And Stripes Forever
- 1189 - Stimmungsbilder Op. 9: II. An einsamer Quelle
- 1190 - Story Of My Life (cut From Wonderful Town)
- 1191 - String Quartet No.14 in C sharp minor, Op.131: 1. Adagio, ma non troppo e molto espressivo
- 1192 - String Quartet No.14 in C sharp minor, Op.131: 2. Allegretto
- 1193 - String Quartet No.14 in C sharp minor, Op.131: 3. Allegro moderato - attacca:
- 1194 - String Quartet No.14 in C sharp minor, Op.131: 4. Andante, ma non troppo e molto cantabile -
- 1195 - String Quartet No.14 in C sharp minor, Op.131: 5. Presto - Molto poco adagio -attacca:
- 1196 - String Quartet No.14 in C sharp minor, Op.131: 6. Adagio quasi un poco andante - attacca:
- 1197 - String Quartet No.14 in C sharp minor, Op.131: 7. Allegro
- 1198 - String Quartet No.16 in F, Op.135: 1. Allegretto
- 1199 - String Quartet No.16 in F, Op.135: 2. Vivace
- 1200 - String Quartet No.16 in F, Op.135: 3. Lento assai, cantante e tranquillo
- 1201 - String Quartet No.16 in F, Op.135: 4. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro)
- 1202 - Subito Allegro I. Ziemlich Ruhig
- 1203 - suddenly, The Emperor Speaks...hail, Beauteous Youth.
- 1204 - Suite bergamasque: Clair de lune (transcribed Roelens)
- 1205 - Suite for Solo Cello in D minor: II. March
- 1206 - Suite for Violin and Orchestra in A minor Op. 10 (Suite im alten Stil): I. Presto
- 1207 - Summoning Of The Ancestors
- 1208 - Swing
- 1209 - Swing(Ruth, Villagers)
- 1210 - Symphony in 3 Movements: 1. without indication
- 1211 - Symphony in 3 Movements: 2. Andante -
- 1212 - Symphony in 3 Movements: 3. Con moto
- 1213 - Symphony in 3 Movements: Interlude: L'istesso tempo
- 1214 - Symphony in C: 1. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I
- 1215 - Symphony in C: 2. Larghetto concertante -
- 1216 - Symphony in C: 3. Allegretto - Meno mosso - Tempo I - Più mosso - Tempo I
- 1217 - Symphony in C: 4. Largo - Tempo giusto, alla breve - Poco meno mosso
- 1218 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/I. De profundis. Adagio (Bass)
- 1219 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/II. Malaguena. Allegretto (Soprano)
- 1220 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/III. Die Lorelei. Allegro molto - Presto - Adagio - (attacca) (Soprano, Bass)
- 1221 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/IV. The Suicide. Adagio (Soprano)
- 1222 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/IX. O Delvig, Delvig! Andante (Bass)
- 1223 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/V. On the Alert. Allegretto - Adagio - Allegretto (Soprano)
- 1224 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/VI. Look Here, Madame! Adagio - (attacca) (Soprano, Bass)
- 1225 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/VII. At the Sante Jail. Adagio (Bass)
- 1226 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/VIII. Zaporozhye Cossack's Reply to the Sultan of Constantinople. Allegro - (attacca) (Bass)
- 1227 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/X. The Poet's Death. Largo - (attacca) (Soprano)
- 1228 - Symphony No. 14, Op. 135 for Soprano, Bass and Chamber Orchestra/XI. Conclusion. Moderato (Soprano, Bass)
- 1229 - Symphony No. 2 in C major, Op. 61: I. Sostenuto Assai-Un Poco Piu Vivace
- 1230 - Symphony No. 2 in C major, Op. 61: II. Scherzo-Allegro Vivace
- 1231 - Symphony No. 2 in C major, Op. 61: III. Adagio Aspressivo
- 1232 - Symphony No. 2 in C major, Op. 61: IV. Allegro Molto Vivace
- 1233 - Symphony No. 2 in C minor, 'Little Russian' Op. 17: Andantino marziale, quasi moderato
- 1234 - Symphony No. 3 in D, 'Polish' Op. 29: Alla tedesca (Allegro moderato e semplice)
- 1235 - Symphony No. 3 in F Major, Op. 70: I. Allegro con brio - un poco sostenuto - Tempo 1
- 1236 - Symphony No. 3 in F Major, Op. 70: II. Andante
- 1237 - Symphony No. 3 in F Major, Op. 70: III. Poco allegretto
- 1238 - Symphony No. 3 in F Major, Op. 70: IV. Allegro
- 1239 - Symphony No. 4 in F minor Op. 36: IV. Allegro con fuoco
- 1240 - Symphony No. 5 in C minor, Op. 67/I. Allegro con brio
- 1241 - Symphony No. 5 in C minor, Op. 67/II. Andante con moto
- 1242 - Symphony No. 5 in C minor, Op. 67/III. Scherzo. Allegro
- 1243 - Symphony No. 5 in C minor, Op. 67/IV. Allegro
- 1244 - Symphony No. 5 in E minor Op. 64: III. Valse (Allegro moderato)
- 1245 - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": I. Adagio - allegro no troppo
- 1246 - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": II. Allegro con grazia
- 1247 - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": III. Allegro molto vivace
- 1248 - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": IV. Finale - adagio lamentoso - andante
- 1249 - Symphony No. 6 in F Major, Op. 68 "Pastoral"
- 1250 - Symphony No. 7 in D minor B141 (Op. 70): IV. Allegro
- 1251 - Symphony No. 8 in C minor Op. 65: I. Adagio - Allegro non troppo - Adagio
- 1252 - Symphony No. 8 in C minor Op. 65: II. Allegretto
- 1253 - Symphony No. 8 in C minor Op. 65: III. Allegro non troppo -
- 1254 - Symphony No. 8 in C minor Op. 65: IV. Largo -
- 1255 - Symphony No. 8 in C minor Op. 65: V. Allegretto
- 1256 - Symphony No. 8 in G major B163 (Op. 88): III. Allegretto grazioso - Molto vivace
- 1257 - Symphony No. 9 in D Major/A tempo (Molto adagio)
- 1258 - Symphony No. 9 in D Major/A tempo II
- 1259 - Symphony No. 9 in D Major/Adagissimo
- 1260 - Symphony No. 9 in D Major/Etwas frischer
- 1261 - Symphony No. 9 in D Major/Fließender, doch durchaus nicht eilend
- 1262 - Symphony No. 9 in D Major/L'istesso tempo
- 1263 - Symphony No. 9 in D Major/Mit Wut. Allegro risoluto
- 1264 - Symphony No. 9 in D Major/Molto adagio subito
- 1265 - Symphony No. 9 in D Major/Movement I - Andante comodo
- 1266 - Symphony No. 9 in D Major/Movement II - Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
- 1267 - Symphony No. 9 in D Major/Movement III - Rondo-Burleske. Allegro assai. Sehr trotzig
- 1268 - Symphony No. 9 in D Major/Movement IV - Adagio. Sehr langsam und noch zurückhaltend
- 1269 - Symphony No. 9 in D Major/Nicht eilen
- 1270 - Symphony No. 9 in D Major/Più stretto
- 1271 - Symphony No. 9 in D Major/Plötzlich bedeutend langsamer (Lento) und leise
- 1272 - Symphony No. 9 in D Major/Plötzlich wieder langsam (wie zu Anfang) und etwas zögernd
- 1273 - Symphony No. 9 in D Major/Poco più mosso subito (Tempo II)
- 1274 - Symphony No. 9 in D Major/Schattenhaft
- 1275 - Symphony No. 9 in D Major/Schon ganz langsam
- 1276 - Symphony No. 9 in D Major/Sempre l'istesso tempo
- 1277 - Symphony No. 9 in D Major/Stets sehr gehalten
- 1278 - Symphony No. 9 in D Major/Tempo I
- 1279 - Symphony No. 9 in D Major/Tempo I. Molto adagio
- 1280 - Symphony No. 9 in D Major/Tempo I. Subito
- 1281 - Symphony No. 9 in D Major/Tempo I. Subito
- 1282 - Symphony No. 9 in D Major/Tempo II
- 1283 - Symphony No. 9 in D Major/Tempo III
- 1284 - Symphony No. 9 in D Major/Wie von Anfang
- 1285 - Symphony No. 9 in E minor, Op.95 'From the New World': II Largo
- 1286 - Symphony No.1 in B flat, Op.38 -Spring: 1. Andante un poco maestoso - Allegro molto vivace
- 1287 - Symphony No.1 in B flat, Op.38 -Spring: 2. Larghetto
- 1288 - Symphony No.1 in B flat, Op.38 -Spring: 3. Scherzo (Molto vivace)
- 1289 - Symphony No.1 in B flat, Op.38 -Spring: 4. Allegro animato e grazioso
- 1290 - Symphony No.1 in C minor, Op.68: 1. Un poco sostenuto - Allegro - Meno allegro
- 1291 - Symphony No.1 in C minor, Op.68: 2. Andante sostenuto
- 1292 - Symphony No.1 in C minor, Op.68: 3. Un poco allegretto e grazioso
- 1293 - Symphony No.1 in C minor, Op.68: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro
- 1294 - Symphony No.1 in C, Op.21: 1. Adagio molto - Allegro con brio
- 1295 - Symphony No.1 in C, Op.21: 2. Andante cantabile con moto
- 1296 - Symphony No.1 in C, Op.21: 3. Menuetto (Allegro molto e vivace)
- 1297 - Symphony No.1 in C, Op.21: 4. Finale (Adagio - Allegro molto e vivace)
- 1298 - Symphony No.1, Op.10: 1. Allegretto - Allegro non troppo
- 1299 - Symphony No.1, Op.10: 2. Allegro - Meno mosso - Allegro - Meno mosso
- 1300 - Symphony No.1, Op.10: 3. Lento - Largo - [Lento] (attacca:)
- 1301 - Symphony No.1, Op.10: 4. Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio - Largo - Più mosso - Presto
- 1302 - Symphony No.1Jeremiah: 1. Prophecy: Largamente
- 1303 - Symphony No.1Jeremiah: 2. Profanation: Vivace con brio
- 1304 - Symphony No.1Jeremiah: 3. Lamentation: Lento
- 1305 - Symphony No.2 in C minor -Resurrection: Am Anfang sehr zurückgehalten
- 1306 - Symphony No.2 in C minor -Resurrection: Energisch bewegt
- 1307 - Symphony No.2 in C minor -Resurrection: Etwas bewegter -O glaube, mein Herz, o glaube
- 1308 - Symphony No.2 in C minor -Resurrection: Im Tempo des Scherzos
- 1309 - Symphony No.2 in C minor -Resurrection: In ruhiger fließender Bewegung
- 1310 - Symphony No.2 in C minor -Resurrection: In Tempo I zurückkehren
- 1311 - Symphony No.2 in C minor -Resurrection: Langsam
- 1312 - Symphony No.2 in C minor -Resurrection: Langsam ppp. Nicht schleppen -Wieder aufzublühn wirst du gesät
- 1313 - Symphony No.2 in C minor -Resurrection: Langsam. Misterioso -Auferstehen, ja auferstehen wirst du gesät
- 1314 - Symphony No.2 in C minor -Resurrection: Mit Aufschwung, aber nicht eilen -O Schmerz, du Alldurchdringer
- 1315 - Symphony No.2 in C minor -Resurrection: Mit durchaus ernstem und feierlichem Ausdruck
- 1316 - Symphony No.2 in C minor -Resurrection: Molto ritenuto. Maestoso
- 1317 - Symphony No.2 in C minor -Resurrection: Nicht eilen. Sehr gemächlich
- 1318 - Symphony No.2 in C minor -Resurrection: Schnell
- 1319 - Symphony No.2 in C minor -Resurrection: Sehr feierlich, aber schlicht -O Röslein rot
- 1320 - Symphony No.2 in C minor -Resurrection: Sehr gemächlich
- 1321 - Symphony No.2 in C minor -Resurrection: Sehr getragen und gesangvoll
- 1322 - Symphony No.2 in C minor -Resurrection: Sehr langsam und gedehnt
- 1323 - Symphony No.2 in C minor -Resurrection: Sehr mäßig und zurückhaltend
- 1324 - Symphony No.2 in C minor -Resurrection: Tempo I
- 1325 - Symphony No.2 in C minor -Resurrection: Tempo sostenuto
- 1326 - Symphony No.2 in C minor -Resurrection: Wieder ins Tempo zurückgehen. TempoI
- 1327 - Symphony No.2 in C minor -Resurrection: Wieder sehr breit
- 1328 - Symphony No.2 in C minor -Resurrection: Wieder zurückhaltend
- 1329 - Symphony No.2 in C minor -Resurrection: Zum Tempo I zurückkehren
- 1330 - Symphony No.2 in C, Op.61: 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
- 1331 - Symphony No.2 in C, Op.61: 2. Scherzo (Allegro vivace)
- 1332 - Symphony No.2 in C, Op.61: 3. Adagio espresssivo
- 1333 - Symphony No.2 in C, Op.61: 4. Allegro molto vivace
- 1334 - Symphony No.2 in D, Op.36: 1. Adagio molto - Allegro con brio
- 1335 - Symphony No.2 in D, Op.36: 2. Larghetto
- 1336 - Symphony No.2 in D, Op.36: 3. Scherzo
- 1337 - Symphony No.2 in D, Op.36: 4. Allegro molto
- 1338 - Symphony No.2: 1. Andante moderato
- 1339 - Symphony No.2: 2. Allegro
- 1340 - Symphony No.2: 3. Adagio cantabile
- 1341 - Symphony No.2: 4. Lento maestoso
- 1342 - Symphony No.2: 5. Allegro molto vivace
- 1343 - Symphony No.2The Age of Anxiety: 1. The Dirge. Largo
- 1344 - Symphony No.2The Age of Anxiety: 1. The Prologue. Lento moderato
- 1345 - Symphony No.2The Age of Anxiety: 2. The Masque. Extremely fast
- 1346 - Symphony No.2The Age of Anxiety: 2. The Seven Ages. Var. I-VII
- 1347 - Symphony No.2The Age of Anxiety: 3. The Epilogue. L'istesso tempo - Adagio - Andante - Con moto
- 1348 - Symphony No.2The Age of Anxiety: 3. The Seven Stages. Var. VIII-XIV
- 1349 - Symphony No.3 in A minor, Op.56 -Scottish: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
- 1350 - Symphony No.3 in A minor, Op.56 -Scottish: 2. Vivace non troppo
- 1351 - Symphony No.3 in A minor, Op.56 -Scottish: 3. Adagio
- 1352 - Symphony No.3 in A minor, Op.56 -Scottish: 4. Allegro vivacissimo - Allegro maestoso assai
- 1353 - Symphony No.3 in E flat, Op.55 -Eroica: 1. Allegro con brio
- 1354 - Symphony No.3 in E flat, Op.55 -Eroica: 2. Marcia funebre (Adagio assai)
- 1355 - Symphony No.3 in E flat, Op.55 -Eroica: 3. Scherzo (Allegro vivace)
- 1356 - Symphony No.3 in E flat, Op.55 -Eroica: 4. Finale (Allegro molto)
- 1357 - Symphony No.3 in E flat, Op.97 -Rhenish: 1. Lebhaft
- 1358 - Symphony No.3 in E flat, Op.97 -Rhenish: 2. Scherzo (Sehr mäßig)
- 1359 - Symphony No.3 in E flat, Op.97 -Rhenish: 3. Nicht schnell
- 1360 - Symphony No.3 in E flat, Op.97 -Rhenish: 4. Feierlich
- 1361 - Symphony No.3 in E flat, Op.97 -Rhenish: 5. Lebhaft
- 1362 - Symphony No.3 in one movement: Symphony No.3 in one movement
- 1363 - Symphony No.3: 1. Molto moderato
- 1364 - Symphony No.3: 2. Allegro molto
- 1365 - Symphony No.3: 3. Andantino quasi allegretto
- 1366 - Symphony No.3: 4. Molto deliberato (Fanfare); Allegro risoluto
- 1367 - Symphony No.3: Chorale
- 1368 - Symphony No.3: Fugue
- 1369 - Symphony No.3: Passacaglia
- 1370 - Symphony No.3: Toccata
- 1371 - Symphony No.3Kaddish: 1.Invocation: Adagio
- 1372 - Symphony No.3Kaddish: 2.Din - Torah: Di nuovo adagio
- 1373 - Symphony No.3Kaddish: 3.Kaddish 3: Scherzo - Presto scherzando, sempre pianissimo
- 1374 - Symphony No.3Kaddish:Kaddish 1: L'istesso tempo - Allegro molto
- 1375 - Symphony No.3Kaddish:Kaddish 2: Andante con tenerezza
- 1376 - Symphony No.3Kaddish:Kaddish 3: Finale - Adagio come nel Din-Torah
- 1377 - Symphony No.3Kaddish:Kaddish 3: Finale - Allegro vivo, con gioia
- 1378 - Symphony No.4 in A, Op.90 -Italian: 1. Allegro vivace
- 1379 - Symphony No.4 in A, Op.90 -Italian: 2. Andante con moto
- 1380 - Symphony No.4 in A, Op.90 -Italian: 3. Con moto moderato
- 1381 - Symphony No.4 in A, Op.90 -Italian: 4. Saltarello (Presto)
- 1382 - Symphony No.4 in B flat, Op.60: 1. Adagio - Allegro vivace
- 1383 - Symphony No.4 in B flat, Op.60: 2. Adagio
- 1384 - Symphony No.4 in B flat, Op.60: 3. Allegro vivace
- 1385 - Symphony No.4 in B flat, Op.60: 4. Allegro ma non troppo
- 1386 - Symphony No.4 in D minor, Op.120: 1. Ziemlich langsam - Lebhaft
- 1387 - Symphony No.4 in D minor, Op.120: 2. Romanze (Ziemlich langsam)
- 1388 - Symphony No.4 in D minor, Op.120: 3. Scherzo
- 1389 - Symphony No.4 in D minor, Op.120: 4. Langsam - Lebhaft - Schneller - Presto
- 1390 - Symphony No.4 in E minor, Op.98: 1. Allegro non troppo
- 1391 - Symphony No.4 in E minor, Op.98: 2. Andante moderato
- 1392 - Symphony No.4 in E minor, Op.98: 3. Allegro giocoso - Poco meno presto - Tempo I
- 1393 - Symphony No.4 in E minor, Op.98: 4. Allegro energico e passionato - Più allegro
- 1394 - Symphony No.4 in G: 1. Bedächtig. Nicht eilen - Recht gemächlich
- 1395 - Symphony No.4 in G: 2. In gemächlicher Bewegung. Ohne Hast
- 1396 - Symphony No.4 in G: 3. Ruhevoll (Poco adagio)
- 1397 - Symphony No.4 in G: 4. Sehr behaglich:Wir genießen die himmlischen Freuden
- 1398 - Symphony No.5 in B flat, D.485: 1. Allegro
- 1399 - Symphony No.5 in B flat, D.485: 2. Andante con moto
- 1400 - Symphony No.5 in B flat, D.485: 3. Menuetto (Allegro molto)
- 1401 - Symphony No.5 in B flat, D.485: 4. Allegro vivace
- 1402 - Symphony No.5 in C minor, Op.67: 1. Allegro con brio
- 1403 - Symphony No.5 in C minor, Op.67: 2. Andante con moto
- 1404 - Symphony No.5 in C minor, Op.67: 3. Allegro
- 1405 - Symphony No.5 in C minor, Op.67: 4. Allegro
- 1406 - Symphony No.5 in D minor, Op.107 -Reformation: 1. Andante - Allegro con fuoco
- 1407 - Symphony No.5 in D minor, Op.107 -Reformation: 2. Allegro vivace
- 1408 - Symphony No.5 in D minor, Op.107 -Reformation: 3. Andante
- 1409 - Symphony No.5 in D minor, Op.107 -Reformation: 4. ChoralEin' Feste Burg ist unser Gott (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
- 1410 - Symphony No.6 in B minor, Op.54: 1. Largo
- 1411 - Symphony No.6 in B minor, Op.54: 2. Allegro
- 1412 - Symphony No.6 in B minor, Op.54: 3. Presto
- 1413 - Symphony No.6 in B minor, Op.74 -Pathétique: 1. Adagio - Allegro non troppo
- 1414 - Symphony No.6 in B minor, Op.74 -Pathétique: 2. Allegro con grazia
- 1415 - Symphony No.6 in B minor, Op.74 -Pathétique: 3. Allegro molto vivace
- 1416 - Symphony No.6 in B minor, Op.74 -Pathétique: 4. Finale (Adagio lamentoso - Andante)
- 1417 - Symphony No.6 in B Minor, Op.74Pathétique: Finale (Adagio lamentoso - Andante)
- 1418 - Symphony No.6 in D major, Op.60: III - Scherzo
- 1419 - Symphony No.6 in F, Op.68 -Pastoral: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
- 1420 - Symphony No.6 in F, Op.68 -Pastoral: 2. Szene am Bach: (Andante molto mosso)
- 1421 - Symphony No.6 in F, Op.68 -Pastoral: 3. Lustiges Zusammensein der Landleute
- 1422 - Symphony No.6 in F, Op.68 -Pastoral: 4. Gewitter, Sturm
- 1423 - Symphony No.6 in F, Op.68 -Pastoral: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
- 1424 - Symphony No.7 in A, Op.92: 1. Poco sostenuto - Vivace
- 1425 - Symphony No.7 in A, Op.92: 2. Allegretto
- 1426 - Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto
- 1427 - Symphony No.7 in A, Op.92: 4. Allegro con brio
- 1428 - Symphony No.7, Op.60 -Leningrad: 1. Allegretto
- 1429 - Symphony No.7, Op.60 -Leningrad: 2. Moderato (poco allegretto)
- 1430 - Symphony No.7, Op.60 -Leningrad: 3. Adagio
- 1431 - Symphony No.7, Op.60 -Leningrad: 4. Allegro non troppo
- 1432 - Symphony No.8 in B minor, D.759 -Unfinished: 1. Allegro moderato
- 1433 - Symphony No.8 in B minor, D.759 -Unfinished: 2. Andante con moto
- 1434 - Symphony No.8 in F, Op.93: 1. Allegro vivace e con brio
- 1435 - Symphony No.8 in F, Op.93: 2. Allegretto scherzando
- 1436 - Symphony No.8 in F, Op.93: 3. Tempo di menuetto
- 1437 - Symphony No.8 in F, Op.93: 4. Allegro vivace
- 1438 - Symphony No.9 in C, D.944 -The Great: 1. Andante - Allegro ma non troppo
- 1439 - Symphony No.9 in C, D.944 -The Great: 2. Andante con moto
- 1440 - Symphony No.9 in C, D.944 -The Great: 3. Scherzo (Allegro vivace)
- 1441 - Symphony No.9 in C, D.944 -The Great: 4. Allegro vivace
- 1442 - Symphony No.9 in D minor, Op.125 -Choral: 1. Allegro ma non troppo, un poco maestoso
- 1443 - Symphony No.9 in D minor, Op.125 -Choral: 2. Molto vivace
- 1444 - Symphony No.9 in D minor, Op.125 -Choral: 3. Adagio molto e cantabile
- 1445 - Symphony No.9 in D minor, Op.125 -Choral: 4. Finale (Ausschnitt)
- 1446 - Symphony No.9 in D minor, Op.125 -Choral: 4. Presto - Allegro assai
- 1447 - Symphony No.9 in D minor, Op.125 -Choral: Presto-O Freunde, nicht diese Töne -Allegro assai
- 1448 - Symphony No.9 in E flat, Op.70: 1. Allegro
- 1449 - Symphony No.9 in E flat, Op.70: 2. Moderato
- 1450 - Symphony No.9 in E flat, Op.70: 3. Presto -
- 1451 - Symphony No.9 in E flat, Op.70: 4. Largo -
- 1452 - Symphony No.9 in E flat, Op.70: 5. Allegretto
- 1453 - Symphony No.9 in E minor, Op.95 'From the New World': I Adagio
- 1454 - Symphony No.9 in E minor, Op.95 'From the New World': II Largo
- 1455 - Symphony No.9 in E minor, Op.95 'From the New World': III Scherzo (molto vivace)
- 1456 - Symphony No.9 in E minor, Op.95 'From the New World': IV Allegro con fuoco
- 1457 - Symphony No.9 in E minor, Op.95From the New World: 1. Adagio - Allegro molto
- 1458 - Symphony No.9 in E minor, Op.95From the New World: 2. Largo
- 1459 - Symphony No.9 in E minor, Op.95From the New World: 3. Scherzo (Molto vivace)
- 1460 - Symphony No.9 in E minor, Op.95From the New World: 4. Allegro con fuoco
- 1461 - Symphony-Concerto for Cello and Orchestra in E minor Op. 125: III - Andante con moto
- 1462 - Tales From The Vienna Woods, Op. 325
- 1463 - Tancredi Overture
- 1464 - Tattoo (1986): 1. Moderato Maestoso
- 1465 - Tattoo (1986): 2. Moderato Maestoso - Omaggio a Nicolò Paganini
- 1466 - Tempo
- 1467 - Tempo I
- 1468 - Tempo I (halbe Wie Die Viertel Des Tempoi)
- 1469 - Tempo I. Mit Geheimnisvolles Hast
- 1470 - Tempo I. Ruhevoll
- 1471 - Tempo I. Sehr Zart Und Geheimnisvoll Bis Zum Schluss
- 1472 - Tempo I. (allegro, Etwas Hastig)
- 1473 - Tempo Primo
- 1474 - Tempo Sostenuto
- 1475 - Thanksgiving (forefather's) Day
- 1476 - The Augurs Of Spring
- 1477 - The Barber Of Seville Overture
- 1478 - The Blue Danube Waltz, Op. 314
- 1479 - The British Grenadiers
- 1480 - The Canticle of the Sun: 1. Opening...Altissimo omnipontente bon Signore
- 1481 - The Creatures of Prometheus, Op.43: Overtura. Adagio - Allegro molto con brio
- 1482 - The Dance At The Gym
- 1483 - The Dirge
- 1484 - The Emperor Waltz, Op. 437
- 1485 - The Epilogue
- 1486 - The Firebird (L'oiseau de feu): 3. Variation of the Firebird
- 1487 - The Firebird (L'oiseau de feu): Berceuse
- 1488 - The Firebird (L'oiseau de feu): Dance of the Firebird
- 1489 - The Firebird (L'oiseau de feu): Finale
- 1490 - The Firebird (L'oiseau de feu): Infernal Dance of King Kaschei
- 1491 - The Firebird (L'oiseau de feu): Introduction
- 1492 - The Firebird (L'oiseau de feu): Round Dance of the Princesses
- 1493 - The Firebird And Its Dance
- 1494 - The Fourth Of July
- 1495 - The Gong on the Hook and Ladder or Firemen's Parade on Main Street: The Gong on the Hook and Ladder or Firemen's Parade on Main Street
- 1496 - The Hebrides, Op.26 (Fingal's Cave): Allegro moderato
- 1497 - The Masque
- 1498 - The National Emblem
- 1499 - The Princesses' Round
- 1500 - The Prologue
- 1501 - The Rumble
- 1502 - The Sound of Music from The Sound of Music - Original Broadway Cast Recording
- 1503 - The Thunderer
- 1504 - The Tsar's Bride: Lyubasha's Aria: You wil pay
- 1505 - The Unanswered Question for Trumpet, Flute Quartet and Strings
- 1506 - The Unanswered Question For Trumpet, Flute Quartet And Strings (no. 1 Fromtwo Contemplations)
- 1507 - The Unanswered Question: The Unanswered Question
- 1508 - Theme A: Allegro Maestoso E Largamente (full Orchestra)
- 1509 - Theme B: (woodwinds)
- 1510 - Theme C: (brass)
- 1511 - Theme D: (strings)
- 1512 - Theme E: (percussion)
- 1513 - Theme F: (full Orchestra)
- 1514 - Third Window: The Council Of False Gods -third Window, The Council Of False Gods...a Huge Gilded Hall...
- 1515 - Thousand And One Nights (tausend Und Eine Nacht), Op. 346
- 1516 - Three Meditations fromMass: 1. Lento assai, molto sostenuto
- 1517 - Three Meditations fromMass: 2. Andante sostenuto - Var. I-IV - Coda
- 1518 - Three Meditations fromMass: 3. Presto - Fast and primitive - Molto adagio
- 1519 - Three Outdoor Scenes: Hallowe'en
- 1520 - Thunder And Lightning Polka, Op. 324
- 1521 - To Thee Old Cause (evocation For Oboe, Brass, Timpani, Piano And Strings)
- 1522 - Tone Roads No.1: Tone Roads No.1
- 1523 - Tonight
- 1524 - Tonight (Quintet)
- 1525 - Tragic Overture, Op. 81
- 1526 - Trio
- 1527 - Trio. Recht Gemächlich
- 1528 - Triple Concerto for Violin, Cello & Piano in C Major, Op. 56: I. Allegro
- 1529 - Triple Concerto for Violin, Cello & Piano in C Major, Op. 56: II. Largo
- 1530 - Triple Concerto for Violin, Cello & Piano in C Major, Op. 56: III. Rondo all polacca
- 1531 - Tritsch-Tratsch Polka, Op. 214
- 1532 - Tritsch-Tratsch-Polka, Op. 214
- 1533 - Tuba Mirum Spargens Sonum
- 1534 - Tuba Mirum. Andante maestoso - Piu largo from Requiem, Op. 5
- 1535 - Turkish March from Ruins of Athens, Op. 113
- 1536 - Tutto nel mondo é burla...from Falstaff
- 1537 - Two On The Aisle: Catch Our Act At The Met
- 1538 - Um Mitternacht
- 1539 - Under The Double Eagle
- 1540 - Uranus, The Magician. AllegroLentoAllegroLargo
- 1541 - V. Lebhaft
- 1542 - V. (Finale). Pesante - Presto from Concerto for Orchestra
- 1543 - V. Agnus Dei
- 1544 - V. Allegretto
- 1545 - V. Allegro Molto Vivace
- 1546 - V. Arrival Of The Circus
- 1547 - V. Ballet Des Poussins Dans Leurs Coques. Scherzino. Vivo Leggiero
- 1548 - V. Cloudburst
- 1549 - V. Competition Scene
- 1550 - V. Fandango Asturiano
- 1551 - V. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto
- 1552 - V. Im Tempo des Scherzos from Symphony No. 2 in C minor "Resurrection"
- 1553 - V. Im Tempo Des Scherzos. Wild Herausfahrend
- 1554 - V. L'Éléphant
- 1555 - V. Meditation No. 1
- 1556 - V. Moderato, Alla Marcia; Andante
- 1557 - V. On The Alert. Allegretto - Adagio - Allegretto
- 1558 - V. Rondo - Finale. Allegro
- 1559 - V. Rondo. Allegro
- 1560 - V. Socrates: Alcibiades (molto Tenuto - Allegro Molto Vivace)
- 1561 - V. The Enemy
- 1562 - V.. Pesante - Presto
- 1563 - Valse triste from Kuolema, Op.44
- 1564 - Valse-Fantaisie
- 1565 - Variation 18. Andante cantabile from Rhapsody on a theme of Paganini, Op. 43
- 1566 - Variation 2 (waltz)
- 1567 - Variation 3 (danzon)
- 1568 - Variation A: (piccolo & Flutes)
- 1569 - Variation B: Lento (oboes)
- 1570 - Variation C: Moderato (clarinets)
- 1571 - Variation D: Allegro Alla Marcia (bassoons)
- 1572 - Variation E: Brillante - Alla Polacca (violins)
- 1573 - Variation F: Meno Mosso (violas)
- 1574 - Variation G: (cellos)
- 1575 - Variation H: Comminciando Lento Ma Poco A Poco Accel. (double Basses)
- 1576 - Variation I: L'istesso Tempo
- 1577 - Variation I: Maestoso (harp)
- 1578 - Variation Ii (waltz)
- 1579 - Variation Ii: Poco Piu Mosso
- 1580 - Variation Iii (danzon)
- 1581 - Variation Iii: Largamente
- 1582 - Variation Iv: Piu Mosso
- 1583 - Variation Ix: Piu Mosso (tempo Di Valse)
- 1584 - Variation J: L'istesso Tempo (french Horns)
- 1585 - Variation K: Vivace (trumpets)
- 1586 - Variation L: Allegro Pomposo (trombones & Tuba)
- 1587 - Variation M: Moderato (percussion)
- 1588 - Variation Of The Firebird
- 1589 - Variation Vi: Poco Meno Mosso
- 1590 - Variation Vii: L'istesso Tempo
- 1591 - Variation Vii: Molto Moderato, Ma Movendo
- 1592 - Variation X: Piu Mosso
- 1593 - Variation Xi: L'istesso Tempo
- 1594 - Variation Xii: L'istesso Tempo
- 1595 - Variation Xii: Poco Piu Vivace
- 1596 - Variation Xiv: Poco Piu Vivace
- 1597 - veni, Creator Spiritus
- 1598 - Venus, The Bringer Of Peace. AdagioAndanteAnimatoTempo I
- 1599 - Vi. Circus March
- 1600 - Vi. Gloria: 1. Gloria Tibi
- 1601 - Vi. Kangourous
- 1602 - Vi. Look Here, Madame Adagio - (soprano, Bass)
- 1603 - Vi. Lux Aeterna
- 1604 - Vi. Samuel Goldenberg And Schmuyle. Andante
- 1605 - Vi. Threat And Approach
- 1606 - Vi. Three Dance Variations: Variation 1 (galop)
- 1607 - Vi. Three Dance Variations: Variation I (galop)
- 1608 - Viel Langsamer
- 1609 - Vienna Blood Waltz, Op. 354
- 1610 - Vienna Blood, Op. 354
- 1611 - Vigoroso
- 1612 - Vii. Cancan
- 1613 - Vii. Aquarium
- 1614 - Vii. At The Sante Jail. Adagio (bass)
- 1615 - Vii. Ballad Of The Cities
- 1616 - Vii. Finale
- 1617 - Vii. Libera Me
- 1618 - Vii. Limoges. Le Marché - Allegretto Vivo, Sempre Scherzando
- 1619 - Vii. Meditation No. 2
- 1620 - Vii. The Flutist
- 1621 - Viii. Catacombae. Sepulchrum Romanum - Largo
- 1622 - Viii. Epistle:the Word Of The Lord
- 1623 - Viii. Minuet
- 1624 - Viii. Morning Poem
- 1625 - Viii. Personnages à Longues Oreilles
- 1626 - Viii. Zaporozhye Cossack's Reply To The Sultan Of Constantinople. Allegro - (bass)
- 1627 - Violin Concerto (1984): 1. Twilight: Free and Spacious - attacca
- 1628 - Violin Concerto (1984): 2. Toccata-Chaconne: Very Fast
- 1629 - Violin Concerto (1984): 3. Romance without Words: Hardly moving
- 1630 - Violin Concerto (1984): 4. Midnight: Slow
- 1631 - Violin Concerto (1984): 5. Toccata-Rondo: Very Fast
- 1632 - Violin Concerto (1984): 6. Dawn: Wistful
- 1633 - Violin Concerto in D, Op.77: 1. Allegro non troppo - Cadenza: Max Reger
- 1634 - Violin Concerto in D, Op.77: 2. Adagio
- 1635 - Violin Concerto in D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
- 1636 - Viriation V
- 1637 - Vocalise Op. 34 No. 14
- 1638 - Voices Of Spring, Op. 410
- 1639 - Vorwärts
- 1640 - Vorwärts Drängend
- 1641 - Vorwärts. Poco Più Mosso
- 1642 - War March Of The Priests From Athalie, Op. 74
- 1643 - Washington Post
- 1644 - Washington's Birthday
- 1645 - Wenn Dein Mütterlein
- 1646 - West Side Story - Sym Dances: Finale
- 1647 - West Side Story - Sym Dances: I. Prologue
- 1648 - West Side Story - Sym Dances: Ii. Somewhere
- 1649 - West Side Story - Sym Dances: Iii. Scherzo
- 1650 - West Side Story - Sym Dances: Iv. Mambo
- 1651 - West Side Story - Sym Dances: Rumble
- 1652 - West Side Story - Sym Dances: V. Cha-Cha
- 1653 - West Side Story - Sym Dances: Vi. Meeting Scheme/cool/fugue
- 1654 - West Side Story - Symphonic Dances: 1. Prologue
- 1655 - West Side Story - Symphonic Dances: 2. Somewhere
- 1656 - West Side Story - Symphonic Dances: 3. Scherzo
- 1657 - West Side Story - Symphonic Dances: 4. Mambo
- 1658 - West Side Story - Symphonic Dances: 5. Cha-cha
- 1659 - West Side Story - Symphonic Dances: 6. Meeting Scene
- 1660 - West Side Story - Symphonic Dances: 7. Cool Fugue
- 1661 - West Side Story - Symphonic Dances: 8. Rumble
- 1662 - West Side Story - Symphonic Dances: 9. Finale
- 1663 - West Side Story: A Boy Like That
- 1664 - West Side Story: America
- 1665 - West Side Story: Ballet Sequence - Beginning
- 1666 - West Side Story: Ballet Sequence - Procession and Nightmare
- 1667 - West Side Story: Ballet Sequence - Scherzo
- 1668 - West Side Story: Ballet Sequence - Somewhere
- 1669 - West Side Story: Ballet Sequence - Transition to Scherzo
- 1670 - West Side Story: Cool
- 1671 - West Side Story: Finale
- 1672 - West Side Story: Gee, Officer Krupke
- 1673 - West Side Story: I Feel Pretty
- 1674 - West Side Story: I Have a Love
- 1675 - West Side Story: Jet Song
- 1676 - West Side Story: Maria
- 1677 - West Side Story: One Hand, One Heart
- 1678 - West Side Story: Prologue
- 1679 - West Side Story: Something's Coming
- 1680 - West Side Story: Taunting Scene
- 1681 - West Side Story: The Dance at the Gym - Blues
- 1682 - West Side Story: The Dance at the Gym - Cha-Cha
- 1683 - West Side Story: The Dance at the Gym - Jump
- 1684 - West Side Story: The Dance at the Gym - Mambo
- 1685 - West Side Story: The Dance at the Gym - Meeting Scene
- 1686 - West Side Story: The Dance at the Gym - Promenade
- 1687 - West Side Story: The Rumble
- 1688 - West Side Story: Tonight (Ensemble)
- 1689 - West Side Story: Tonight - Balcony Scene
- 1690 - What A Waste
- 1691 - What A Waste (from Wonderful Town)
- 1692 - What A Waste (Robert, Associate Editors)
- 1693 - who Is This Young Man So White... & Solo Voice:cessez, ô Pleureuses
- 1694 - Wieder Etwas Bewegter, Wie Im Anfang
- 1695 - Wieder In's Tempo Zurückgehen. Tempo I.
- 1696 - Wieder Lebhaft
- 1697 - Wieder Plötzlich Langsam Und Bedächtig
- 1698 - Wieder Sehr Gemächlich, Beinahe Langsam
- 1699 - Wieder Sehr Gemächlich, Wie Zu Anfang
- 1700 - Wieder Vorwärts Drängend
- 1701 - Wieder Wie Zu Anfang (nicht Eilen)
- 1702 - Wieder Wie Zu Anfang. Sehr Gemächlich, Behaglich
- 1703 - Wieder Wie Zu Anfang. Stürmisch Bewegt
- 1704 - Wieder Zurückhaltend
- 1705 - William Tell Overture
- 1706 - Wine, Women And Song (wein, Weib Und Gesang), Op. 333
- 1707 - Wrong Note Rag
- 1708 - Wrong Note Rag (from Wonderful Town)
- 1709 - X. Agnus Dei - Andante Un Poco Lento - Un Poco Piu Lento
- 1710 - X. Credo: 1. Credo In Unum Deum
- 1711 - X. Eight O'clock Strikes
- 1712 - X. La Grande Porte De Kiev. Allegro Alla Breve. Maestoso. Con Grandezza
- 1713 - X. Night Music: Ballad Of The Bombardier
- 1714 - X. The Poet's Death. Largo -
- 1715 - X. Volière
- 1716 - Xi. Conclusion. Moderato (soprano, Bass)
- 1717 - Xi. Meditation No. 3 (de Profundis, Part 1)
- 1718 - Xi. Pianistes
- 1719 - Xi. Recitative: Chorus Of The Rendezvous
- 1720 - Xi. Siciliana
- 1721 - Xii. Fossiles
- 1722 - Xii. Offertory (de Profundis, Part 2)
- 1723 - Xii. Polka Finale
- 1724 - Xii. The Open Sky
- 1725 - Xiii. Le Cygne
- 1726 - Xiii. The Lord's Prayer: 1. Our Father...
- 1727 - Xiv. Final
- 1728 - Xiv. Sanctus
- 1729 - Xv. Agnus Dei
- 1730 - Xvi. Fraction:things Get Broken
- 1731 - Xvii. Pax: Communion (secret Songs)
- 1732 - Ya Got Me (from On The Town)
- 1733 - You're the Top from Anything Goes
- 1734 - Zampa Overture
- 1735 - Zum Tempo I. Zurückkehren
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